The Spatiality of the Novel |
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Page 95
... called ' humorous ' in the seventeenth cen- tury , and are sometimes called types , and sometimes caricatures . In their purest form , they are constructed round a single idea or quality . " Forster , after analyzing Dickens's ...
... called ' humorous ' in the seventeenth cen- tury , and are sometimes called types , and sometimes caricatures . In their purest form , they are constructed round a single idea or quality . " Forster , after analyzing Dickens's ...
Page 113
... called spatial . " The second spatiality is clearly demonstrated in a written text . “ The manifest spatiality of writing can be taken as a symbol of the profound spatiality of language . At the very least , for us who live in a ...
... called spatial . " The second spatiality is clearly demonstrated in a written text . “ The manifest spatiality of writing can be taken as a symbol of the profound spatiality of language . At the very least , for us who live in a ...
Page 153
... called " plastic , " who supports Hans . In the beginning of the final chapter , when Hans has his great epiphany of space and time , it is after recalling Joachim , whose silence is now seen as both prophetic and profound . Hans can ...
... called " plastic , " who supports Hans . In the beginning of the final chapter , when Hans has his great epiphany of space and time , it is after recalling Joachim , whose silence is now seen as both prophetic and profound . Hans can ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York