The Spatiality of the Novel |
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Page 42
... action are not linked ( as when pirates kidnap helpless adolescents ) , and another when the action and the agent are linked , as in The Golden Ass , Lazarillo de Tormes , or Don Quixote . Finally , in " The Secret of the Récit ...
... action are not linked ( as when pirates kidnap helpless adolescents ) , and another when the action and the agent are linked , as in The Golden Ass , Lazarillo de Tormes , or Don Quixote . Finally , in " The Secret of the Récit ...
Page 71
... action ( setting ) , a certain time - span of action . " 3 As soon as one must say , " Then he sees her walking near Pemberley , " rather than " Then he sees her , " one is discussing a scene that is dynamic and bound . There is one ...
... action ( setting ) , a certain time - span of action . " 3 As soon as one must say , " Then he sees her walking near Pemberley , " rather than " Then he sees her , " one is discussing a scene that is dynamic and bound . There is one ...
Page 112
... action and the agent are not linked , as when the protagonist undergoes adventures he did not seek ; and sec- ond , where the action and the agent are linked , as when Lucius's curiosity leads to the exploits of The Golden Ass . In ...
... action and the agent are not linked , as when the protagonist undergoes adventures he did not seek ; and sec- ond , where the action and the agent are linked , as when Lucius's curiosity leads to the exploits of The Golden Ass . In ...
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Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York