The Spatiality of the Novel |
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Page 27
... James , particularly the prefaces he wrote for the New York edition of his works , later edited by R. P. Blackmur as The Art of the Novel . These prefaces and James's essays are most impor- tant in their recognition of spatial aspects ...
... James , particularly the prefaces he wrote for the New York edition of his works , later edited by R. P. Blackmur as The Art of the Novel . These prefaces and James's essays are most impor- tant in their recognition of spatial aspects ...
Page 36
... James declared that Isabel Archer constituted " the germ of my idea . ” And finally , in the preface to The Tragic Muse , James announced : “ I delight in a deep - breathing economy and an organic form . " Throughout his New York ...
... James declared that Isabel Archer constituted " the germ of my idea . ” And finally , in the preface to The Tragic Muse , James announced : “ I delight in a deep - breathing economy and an organic form . " Throughout his New York ...
Page 78
... James calls Dickens , Scott , and Stevenson " painters " ; he adds that the settings of Florence , and in particular of Venice , pro- vided the " true touch for my canvas . " Discussing the " germ " of the novel , he recalls Turgenev's ...
... James calls Dickens , Scott , and Stevenson " painters " ; he adds that the settings of Florence , and in particular of Venice , pro- vided the " true touch for my canvas . " Discussing the " germ " of the novel , he recalls Turgenev's ...
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Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York