The Spatiality of the Novel |
From inside the book
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Page 171
... Butor's own : " a void , an absence is at the origin of each novel " ; " only the writing of the novel will permit one to elucidate the void . " Thus , the void is the origin of the novel , according to Butor , and the essence of the ...
... Butor's own : " a void , an absence is at the origin of each novel " ; " only the writing of the novel will permit one to elucidate the void . " Thus , the void is the origin of the novel , according to Butor , and the essence of the ...
Page 174
... Butor himself has said that in The Modification the vous is both singular and plural , a statement verifying what Leiris has called the " universalization " of the novel . For Butor this vous represents the self and the other , the ...
... Butor himself has said that in The Modification the vous is both singular and plural , a statement verifying what Leiris has called the " universalization " of the novel . For Butor this vous represents the self and the other , the ...
Page 176
... Butor declares in " Music , A Realistic Art . " The " classical authors " are sensitive to " tonal colors , " to ... Butor's novels are “ antenovels , " which “ tend naturally and should tend toward their own exegesis . ” “ Fictional ...
... Butor declares in " Music , A Realistic Art . " The " classical authors " are sensitive to " tonal colors , " to ... Butor's novels are “ antenovels , " which “ tend naturally and should tend toward their own exegesis . ” “ Fictional ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York