The Spatiality of the Novel |
From inside the book
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Page 37
... Adam Bede , like the boat trips in The Mill on the Floss or Daniel Deronda , like the revelation of paternity in Felix Holt . To recall André Gide , no point is more a beginning than an ending , more centrifugal than centripetal . The ...
... Adam Bede , like the boat trips in The Mill on the Floss or Daniel Deronda , like the revelation of paternity in Felix Holt . To recall André Gide , no point is more a beginning than an ending , more centrifugal than centripetal . The ...
Page 38
... Adam Bede is passing with his undoubting step ” ; " an elderly woman is looking out . " The tenses take us back to the conclusion of chapter one with Adam finishing the hymn . The effect of this technique is one of reversion to the point .
... Adam Bede is passing with his undoubting step ” ; " an elderly woman is looking out . " The tenses take us back to the conclusion of chapter one with Adam finishing the hymn . The effect of this technique is one of reversion to the point .
Page 39
... Adam has an evasive meeting with Mr. Irwine , and the first book concludes . At this point " the story pauses a little " while George Eliot reflects on her art . Book two is concerned with only two days- Sunday , including Thais Bede's ...
... Adam has an evasive meeting with Mr. Irwine , and the first book concludes . At this point " the story pauses a little " while George Eliot reflects on her art . Book two is concerned with only two days- Sunday , including Thais Bede's ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York