Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
From inside the book
Results 1-3 of 7
Page 188
... Richard Rand . Lincoln and London : University of Nebraska Press , 1986 . Margins of Philosophy . Translated by Alan Bass . Chicago : University of Chicago Press , 1982. French original 1972 . Otobiographies : L'enseignement de ...
... Richard Rand . Lincoln and London : University of Nebraska Press , 1986 . Margins of Philosophy . Translated by Alan Bass . Chicago : University of Chicago Press , 1982. French original 1972 . Otobiographies : L'enseignement de ...
Page 197
... , 13 Mills , Laurens J. , 46 Mimesis , 55-56 Minerva , 62 , 73 Modes of discourse , 137 , 150 , 152 Montaigne , Michel Eyquem de , 99 Monumentalization , 127. See also Tomb Moulton , Richard , 100 Music , 96 , 102 Index 197.
... , 13 Mills , Laurens J. , 46 Mimesis , 55-56 Minerva , 62 , 73 Modes of discourse , 137 , 150 , 152 Montaigne , Michel Eyquem de , 99 Monumentalization , 127. See also Tomb Moulton , Richard , 100 Music , 96 , 102 Index 197.
Page 198
Antony and Cleopatra Harald William Fawkner. Moulton , Richard , 100 Music , 96 , 102 Negative excess , 53 Neo - formalism , 11 Neo - platonism , 53 Neo - realism , 15 Nevo , Ruth , 14 Nietzsche , Friedrich , 12-13 North , Sir Thomas ...
Antony and Cleopatra Harald William Fawkner. Moulton , Richard , 100 Music , 96 , 102 Negative excess , 53 Neo - formalism , 11 Neo - platonism , 53 Neo - realism , 15 Nevo , Ruth , 14 Nietzsche , Friedrich , 12-13 North , Sir Thomas ...
Contents
Acknowledgments | 9 |
Presence and Oblivion | 23 |
To Follow Faster | 46 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
absence absolute action actually affirms already amounts Antony and Cleopatra Antony's approach arriving become begin bring Caesar calls comes complete conception course created critical death difference difficulty discourse discussion dramatic dying economy Egypt emphasized Enobarbus entire erotic event excess fact fall feeling final force give hand heroic honor human hyperontological Ibid identifies identity imagination important infinite interesting kind language leaving linguistic logic London longer look loss lovers master means military monument moral move movement nature negativity never notion object observed once ontodramatic opposite passage performance perhaps play pleasure position possibility precisely presence produced pure question reality remains restricted Roman Rome scene seems sense Shakespeare simply space spending spirit stage strange suggests takes thee things thou thought tion trace Tragedy tragic turn unit University Press Venus York