Thoth, Volume 16Graduate students of the English Department, Syracuse University, 1976 - American literature |
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Page 15
... Says Cicero , " There is no greater bane to friendship than adulation , fawning , and flattery " ( p . 209 ) . He continues , " He opens his ears widest to flatteries who is a flatterer of himself " ( p . 211 ) . Apemantus says much the ...
... Says Cicero , " There is no greater bane to friendship than adulation , fawning , and flattery " ( p . 209 ) . He continues , " He opens his ears widest to flatteries who is a flatterer of himself " ( p . 211 ) . Apemantus says much the ...
Page 32
... say in favor of the broken style throughout the prologue ; he says , " by the brokeness of his composition the poet makes himself master of a certain weapon he could possess himself of in no other way . ' 13 66 To follow the prologue as ...
... say in favor of the broken style throughout the prologue ; he says , " by the brokeness of his composition the poet makes himself master of a certain weapon he could possess himself of in no other way . ' 13 66 To follow the prologue as ...
Page 37
... says when he first decides to disguise himself as a shepherd : Better than kings have not disdained that state And much inferior to obtain their mate . ( i , 55-6 ) The myth of the noble shepherd is exploited from the beginning of the ...
... says when he first decides to disguise himself as a shepherd : Better than kings have not disdained that state And much inferior to obtain their mate . ( i , 55-6 ) The myth of the noble shepherd is exploited from the beginning of the ...
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actions Apemantus Aristotle associated audience awareness behavior Bisclavret Book Bremo Breton lais Britomart character Charissa charity chastity Christian comedy commandment concept created Cupid Cupid-Psyche myth death deceive destiny Diana disguise elements Elizabethan English Envy Ethics Faerie Queene faith fertility Flaubert Flavius friends friendship Gallathea Gallathea and Phyllida goddess Graelent Guingamor Hieronimo Il Penseroso imagination Improvisations justice king Kirschbaum Kora Kora in Hell L'Allegro lady lais Lanval Liberalitie liberality London Lorenzo loue Lyly Lyly's Marie de France Marie's Melion Milton mortal Mouse Mouse's Mucedorus narrative narrator nature Neptune Neptune's nymphs orphic Paraday Paraday's Persephone play play's poem poet poet's poetic poetry Press Primaudaye prologue Psyche Renaissance revenge role scene sentence serves Shakespeare shepherd soliloquy Spanish Tragedy Spenser's story structure supernatural lover Syracuse University thematic THOTH thou Timon of Athens Tityrus trans Tremelio true underworld unfulfilled love Venus villainy Villuppo virgin virtue vision werewolf Williams York