The New Encyclopaedia Britannica, Volume 5Encyclopaedia Britannica, 1977 - Encyclopedias and dictionaries |
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Page 994
Loose use of line emphasizing pictorial effect, study after Michelangelo's "Day,"
by Jacopo Tintoretto (c. ... dissolution of the linear stroke into dots and spots, as,
for example, in the drawings of the 19th-century pointillist painter Georges Seurat
.
Loose use of line emphasizing pictorial effect, study after Michelangelo's "Day,"
by Jacopo Tintoretto (c. ... dissolution of the linear stroke into dots and spots, as,
for example, in the drawings of the 19th-century pointillist painter Georges Seurat
.
Page 1004
Drawn 15th-century portraits — by Pisanel- lo or Jan van Eyck, for example —
may be considered completed pictorial works in ... In polychromatic chalk
technique and pastel, portrait drawing maintained its independence into the 19th
century.
Drawn 15th-century portraits — by Pisanel- lo or Jan van Eyck, for example —
may be considered completed pictorial works in ... In polychromatic chalk
technique and pastel, portrait drawing maintained its independence into the 19th
century.
Page 1009
Also at the turn of the 19th century is an artist whose main work was that of a
draftsman: the English caricaturist and social satirist Thomas Rowlandson, who
produced colourful and distinctive watercolours. The late 18th and, even more,
the ...
Also at the turn of the 19th century is an artist whose main work was that of a
draftsman: the English caricaturist and social satirist Thomas Rowlandson, who
produced colourful and distinctive watercolours. The late 18th and, even more,
the ...
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Bibliographic information
| Title | The New Encyclopaedia Britannica, Volume 5 The New Encyclopaedia Britannica |
| Edition | 15 |
| Publisher | Encyclopaedia Britannica, 1977 |
| ISBN | 0852293151, 9780852293157 |
| Export Citation | BiBTeX EndNote RefMan |