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CARMEN VI.

AD APOLLINEM.

(DE to Apollo, in which Horace beseeches the god to enable him

to finish successfully the Carmen Saeculare, the composition of which had been entrusted to him. At the same time he exhorts the young men and maidens who were to sing the carmen to carefulness.

Dive, quem proles Niobea magnae
Vindicem linguae Tityosque raptor
Sensit, et Trojae prope victor altae
Phthius Achilles,
Ceteris major, tibi miles impar,

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Filius quamvis Thetidis marinae
Dardanas turres quateret, tremenda
Cuspide pugnax.

Ille, mordaci velut icta ferro
Pinus, aut impulsa cupressus Euro,

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Procidit late posuitque collum in
Pulvere Teucro.
Ille
non,
inclusus

equo

Minervae

1. Dive. The imperative belonging to this vocative is given in line 27, defende. Proles Niobea. Niobe, wife of Amphion, king of Thebes, considered her own seven sons and seven daughters superior to Apollo and Diana, the children of Latona, and iurned away the people of Thebes from the worship of these deities. She was punished by the death of her children, who were shot by Apollo and Diana. Magnae linguae, = magniloquentiae, .boaşting.'—2. Tityos. See iii. 4, 77.-3. Achilles, of Phthia in Thessaly, hoped, after killing Hector, to conquer Troy; but Apollo so guided the arrows of Paris as to kill the hero, and thus put off for a time the triumph of the Greeks.-5. Major = fortior.-7. Dardanas, and in line 12 Teucro, names of the Trojans; the proper names being here used adjectively. Compare iv. 5, 1: Romulae. Tremenda cuspide pugnax. Pugnax is here skilful in fighting,' contrary to its usual

Gram. D 206, 3. Homer (Il. xx. 387) describes tbe lance of Achilles, which was so heavy that no one but himself was able to brandish it. -9. Ille ; namely, Achilles. Mordaci ferro. The axe which cuts down a tree has, as it were, an envious pleasure in so doing : hence mordax.-10. Impulsa, 'overthrown.'—13. The sense is : had Achilles lived longer, he would not have taken Troy by stratagem, as the Greeks did, but by open force, and would have extirpated the inhabitants, so that Aeneas would have been unable to flee, and Rome would not have been built. Consequently to Apollo Rome owes its existence. Minervae sacra meniito. The wooden horse professed to be an offering to Minerva, to ap15

sense.

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Sacra mentito, male feriatos
Troas et laetam Priami choreis
Falleret aulam,

Sed palam captis gravis (heu nefas ! heu!)
Nescios fari pueros Achivis
Ureret flammis, etiam latentem
Matris in alvo,

Ni, tuis victus Venerisque gratae
Vocibus, divum pater annuisset
Rebus Aenae potiore ducios
Alite muros.

Doctor argitae, fidicen, Thaliae,
Phoebe, qui Xantho lavis amne crines,
Dauniae defende decus Camerae,
Levis Agyieu.

Spiritum Phoebus mihi, Phoebus artem
Carminis nomenque dedit portae.
Virginum primae puerique claris
Patribus orti,

Deliae tutela deae, fugaces
Lyncas et cervos cohibentis arcu,
Lesbium servate pedem meique
Pollicis ictum,

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pease her wrath on account of the theft of the Palladium.-15. Laetam choreis, joyful with the dances' which were engaged in on the holidays that were proclaimed in honour of Minerva. — 16. Follerel; properly, fefellisset ; and, in line 19, ureret ; properly ussisset. 17. Connect palam capris. - 18. Nescios fari pueros, commonly called infantes. - 22. Annuisset, concessisset, ‘had granted.' - 23. Rebus Aeneae, here = Aeneae. Potiore alite, with better omens, auspices.' Compare iii. 3, 61; and i. 15, 5. Jupiter granted to Apollo and Venus walls, which were to be drawn oui (that is, built, for this is muros ducere), with anspices, a fate, betier han that of Troy, which was now destroyed. - 25. Argutae = canorae. Apollo was the leader and teacher of the Muses. -26. Xantho, a river in Lycia, on which the town of Patara was situated, where A pollo had a celebrated temple. Compare iii. 4. 64.-28. Agyieu, a surname of Apollo, because he was the superintending divinity of the áyviai, the streets of the city. He is called levis, ósinooth, because he is always represented without a beard - 29. The poet now changes his subject to an exhortation of the boys and girls who were to sing his carmen saeculare; and to give him greater infinence, he says that Phoebus has not merely granted him his spirit, inspi. ration (spiritum), but has also taught him the form of the ode. 31. Primae, 'most distinguished.' -33. Tutela, the abstract noun for the concrete; · who are defended by' Diana. the goddess of the chase. In English also the abstract noun may be ihus lised : here, for instance, who are a care to' Diana.–35: The poet fancies

Rite Lalonae puerum canentes,
Rite crescentein face Noctilucam,
Prosperam frugum celeremque pronos
Volvere menses.

Nupta jam dices: 'Ego dis amicum,
Saeculo festas referente luces,
Reddidi carmen, docilis modorum
Vatis Horati.

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himself standing in the midst of the boys and girls, as they are sing. ing, and beating time with his thumb (hence pollicis ictum.) His poem is in the Lesbian or Sapphic measure (for Sappho was a na. tive of Lesbos), and the singers must consequently keep the Lesbian time.-37. Rile, according to old custom.'-—38. Crescentem face Noctilucom. Diana was the goddess of the moon, and as such was called the night shining,' and had a temple on the Palatine : Phoebe waxing in her light.' — 39. Prosperam frugum, “ripening the fruits, granting them increase. Celerem volvere, a Greek con. struction, = celerem in volvendo, quae celeriter volvit. — 41. The sense is : at some time, perhaps when you are married and rising in years, you will remember with pleasure this festival and your share in it. - -42. Festas luces ; for the festival celebrating the com. pletion of a century lasted for three days. — 43. Reddidi, scil. voce, hence cecini. Docilis, learning easily and willingly,' is here construed with the genitive, on the analogy of such adjectives as peritus.

'CARMEN VII.

AD TORQUATUM.

seasons.

A Light and pleasing ode, in which the fugitive and perishable nature of all human things is illustrated by the change of the

The poem is addressed to Torquatus, to whom also the fifth epistle of the first book is addressed.

DIFFUGERE nives, redeunt jam gramina campis
Arboribusque comae ;
Mutat terra vices, et decrescentia ripas
Flumina praetereunt;.

Gratia cum Nymphis geminisque sororibus audet 5

2. Comae ; that is, frondes. – 3. Mutat vices, pleonastic, = subit vices, 'undergoes a change.' Decrescentia, there being now no more snow, the melting of which, in the first part of the spring, had swelled the rivers. They now keep within, 'flow along, past' (proetereunt) their proper banks. — 5. Cum sororibus ; there being

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Ducere nuda choros.
Immortalia ne speres, monet annus et almum
Quae rapit hora diem.

Frigora mitescunt zephyris; ver proterit aestas
Interitura, simul
Pomifer auctuninus fruges effuderit, et mox
Bruma recurrit iners.

Damna tamen celeres reparant coelestia lunae;
Nos ubi decidimus,
Quo pater Aeneas, quo dives Tullus et Ancus,
Pulvis et umbra sumus.

Quis scit an adjiciant hodiernae crastina summae
Tempora di superi?
Cuncia manus avidas fugient heredis, amico
Quae dederis animo.

Cum semel occideris, et de te splendida Minos
Fecerit arbitria,
Non, Torquate, genus, non te facundia, non te
Restituet pietas.
Infernis neque

enim tenebris Diana pudicum
Liberat Hippolytum,
Nec Lethaea valet Theseus abrumpere caro
Vincula Pirithoo.

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tarus.

three Graces. - 8. Diem, here = Solem. — 9. Frigora here indicates winter, zephyri spring. Proterit, 'presses forward, drives away.' Compare ii. 18, 15.-12. Iners, on account of the cold which winter brings, and the inactivity of nature during that season.-13. Nature dies, but renews itself; man dies, but returns not to life. The for. mer statement is illustrated by the case of the moon, which wanes indeed, but soon waxes again. - 14. Decidimus ; namely, into Tar.

15. Dives. This epithet seems to refer to the kings generally, not to any particular treasures which Tullus Hostilius possessed.-17. Hodiernae summae, 'to the sum (number) of days which this day completes.' - 19. Amico quae dederis animo, =quae Genio dederis, indulseris, 'which thou mayst have devoted to ihine own gratification.'—21. Splendida here seems to be equivalent to sollemnia rather than to honorifica.-25. The sense is this: not even gods or heroes can bring back the dead, much less ordinary mortals. The particular story here alluded to in regard to Hippolytus, who is called pudicus, because he resisted the passion of his stepmother Phaedra, 'is unknown. - 27. As to Pirithous and Theseus, see note on iii. 4, 79. Lethaea vincula, so called from Lethe, a river in the lower world.

CARMEN VIII.

AD CENSORINUM.

Ode to C. Marcius Censorinus, consul in 8 B.C., in which Horace

promises him a eulogistic poem, and shows the value of such a present.

DONAREM pateras grataque commodus,
Censorine, meis aera sodalibus,
Donarem tripodas, praemia fortium
Graiorum, neque iu pessima munerum

Ferres, divite me scilicet artium,
Quas aut Parrhasius protulit aut Scopas,
Hic saxo, liquidis ille coloribus
Sollers nunc hominem ponere, nunc deum.

Sed non haec mihi vis, non tibi talium
Res est aut animus deliciarum egens.
Gaudes carminibus; carmina possumus
Donare et pretium dicere muneris.

Non incisa notis marmora publicis,
Per quae spiritus et vita redit bonis
Post mortem ducibus, non celeres fugae
Rejectaeque retrorsum Hannibalis minae,

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1. Commodus, in a friendly manner.' - 2. Aera; that is, vasa aenea, especially vessels of Corinthian brass, which were highly valued.---3. Tripodas. These formed the most honourable presents among the ancient Greek heroes. Ulysses received tripods from the Phaeacians.-6. Protulit, produced.' Parrhasius of Ephesus, who lived about 400 B.C., was one of the most distinguished painters of antiquity ; Scopas of Paros was the most celebrated staluary, and particularly well known to the Romans, on account of his statue of Apollo, which stood on the Palatine Hill. - 7. Liquidis, ‘shining, clear;' similarly used of the voice in i. 24, 3. — 8. Ponere, 'to put up, exhibit ;' that is, to form, represent.' – 9. Vis = potestas.-10. Res, · fortune.' Deliciae, 'luxuries.' - 11. Possumuspretium di. cere' muneris, which he goes on to do. – 13. Marmora incisa notis publicis, marble monuments inscribed with words expressive of ihe public gratitude. The proper expression incidere nolus mar. moribus, not incidere marmora notis, but the construction may be in. verted in the same way as with inscribere. Nolae, nearly-litterae. -14. Spiritus, .breath, life.'--16. Retrorsum ; namely, to Africa.

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