Classical Mythology in Shakespeare, Issue 19 |
From inside the book
Results 1-5 of 40
Page 6
... appear so prominently in Spenser and Milton , shows that Shakespeare could not have been familiar with Hesiod . I do not propose to enter the lists of those who since the days of Farmer have disputed back and forth whether or not ...
... appear so prominently in Spenser and Milton , shows that Shakespeare could not have been familiar with Hesiod . I do not propose to enter the lists of those who since the days of Farmer have disputed back and forth whether or not ...
Page 7
... appear in countless reworkings and paraphrases - in Chaucer , in Gower , in Spenser . Could not Shakespeare have learned his mythol- ogy entirely at second - hand from English authors ? That in certain instances his acquaintance with a ...
... appear in countless reworkings and paraphrases - in Chaucer , in Gower , in Spenser . Could not Shakespeare have learned his mythol- ogy entirely at second - hand from English authors ? That in certain instances his acquaintance with a ...
Page 10
... appears in the earlier plays . ' Love's Labor's Lost is an exception to this statement ; but I am inclined to think that the abundance of allusion in this play is due to the revision which it received in 1598 , and is therefore to be ...
... appears in the earlier plays . ' Love's Labor's Lost is an exception to this statement ; but I am inclined to think that the abundance of allusion in this play is due to the revision which it received in 1598 , and is therefore to be ...
Page 12
... appears on the stage as queen of the witches , and Macbeth makes two independent allusions to her as the spirit of darkness , while Acheron , the Gorgon , and perhaps the Harpies , complete the mythology of horror . In Othello , 6 of ...
... appears on the stage as queen of the witches , and Macbeth makes two independent allusions to her as the spirit of darkness , while Acheron , the Gorgon , and perhaps the Harpies , complete the mythology of horror . In Othello , 6 of ...
Page 13
... appears also in references to Night with her dragon - yoke , and to Neptune . Venus is mentioned as a type of beauty ... appear not in explicit allusion , but as types of qualities , physical or moral . 1 See also Lear's words to ...
... appears also in references to Night with her dragon - yoke , and to Neptune . Venus is mentioned as a type of beauty ... appear not in explicit allusion , but as types of qualities , physical or moral . 1 See also Lear's words to ...
Other editions - View all
Common terms and phrases
Achilles Æneas Ajax alluded Apollo appears assigned authentic plays Cæs called Caxton Centaurs character chastity Chaucer classical mythology conception Cupid Cymb Diana Dido drama Elysium epithet Fasti Golding Golding's greater divinities Greek Hades Hecate Hecuba Henry Hercules Hero and Leander Homer humorous instance of nature-myth Introduction Jove Juno Jupiter Latin Lethe lines Lucr Mars masque mentioned Merch Mercury metonymy Mids mythological allusions Neptune night occur Orpheus Ovid Ovid and Vergil Ovid's Ovidian allusion Ovidian origin Ovidian story passage passim patroness Perseus personification Ph.D Phoebus phrase Pistol playful Plutus poem Priam Proserpina referred Salmacis says Shake Shakespeare Shakespearian sions Sonn sonnet speare speeches suggests Tereus Theseus thou thunder tion translation Troil Troilus and Cressida Trojan Trojan war Troy twice Ulysses Venus and Adonis Vergil Vergilian Wint
Popular passages
Page 83 - Put out the light, and then put out the light. If I quench thee, thou flaming minister, I can again thy former light restore, Should I repent me; but once put out thy light, Thou cunning'st pattern of excelling nature, I know not where is that Promethean heat That can thy light relume.
Page 83 - Even such a man, so faint, so spiritless, So dull, so dead in look, so woe-begone, Drew Priam's curtain in the dead of night...
Page 88 - t or give 't away were such perdition As nothing else could match. Des. Is 't possible ? Oth. 'T is true : there 's magic in the web of it : A sibyl, that had number'd in the world The sun to course two hundred compasses, In her prophetic fury sew'd the work ; The worms were hallow'd that did breed the silk ; And it was dyed in mummy which the skilful Conserved of maidens
Page 30 - Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind ; And therefore is wing'd Cupid painted blind...
Page 37 - O, full of scorpions is my mind, dear wife! Thou know'st that Banquo, and his Fleance, lives. Lady M. But in them nature's copy's not eterne. Macb. There's comfort yet, they are assailable; Then be thou jocund: ere the bat hath flown His cloister'd flight; ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note.
Page 49 - May sweep to my revenge. Ghost. I find thee apt ; And duller shouldst thou be than the fat weed That roots itself in ease on Lethe wharf, Wouldst thou not stir in this.
Page 60 - Because you are not merry : and 'twere as easy For you to laugh, and leap, and say you are merry, Because you are not sad. Now, by two-headed Janus, Nature hath framed strange fellows in her time : Some that will evermore peep through their eyes, And laugh like parrots at a bag-piper ; And other of such vinegar aspect, That they '11 not show their teeth in way of smile, Though Nestor swear the jest be laughable.
Page 2 - The moon shines bright : — In such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise ; in such a night, Troilus, methinks, mounted the Trojan walls, And sigh'd his soul toward the Grecian tents, Where Cressid lay that night.
Page 14 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Page 83 - I'll not shed her blood ; Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.