TAMB. Hold ye, tall soldiers, take ye queens a piece I mean such queens as were king's concubines- And let them equally serve all your turns. TAMB. Brawl not (I warn you) for your For ev'ry man that so offends shall die. letchery: ORC. Injurious tyrant, wilt thou so defame To exercise upon such guiltless dames not me With troops of harlots at your slothful heels. LADIES. O pity us, my lord, and save our honours. TAMB. Are ye not gone, ye villains, with your [They run away with the ladies. spoils? JER. O merciless, infernal cruelty! TAMB. Save your honours! 'Twere but time indeed, Lost long before ye knew what honours meant. And common soldiers jest with all their trulls. Till we prepare our march to Babylon, TAMB. We will, Techelles. Forward then, ye jades. Now crouch, ye kings of greatest Asia, And tremble, when ye hear this scourge will come The Tyrrhene, west; the Caspian, north north-east; With blooms more white than Hericina's brows, Whose tender blossoms tremble ev'ry one, • This simile is borrowed from the following stanza in Spenser's Faerie Queene : “Upon the top of all his loftie crest, A bunch of heares discolour'd diversly, Whose tender locks do tremble every one At everie little breath that under heaven is blowne." Both the play and this part of the Faerie Queenie were published in 1590, but from the letter to Sir Walter Raleigh, prefixed to the latter, we may presume that it was published early in that year. That the simile was borrowed from Spenser, either by the author of the play, or more probably by some interpolator, is evident from the following circumstances: The versification of the dramatist is generally correct, and almost invariably consists of lines of ten syllables, but finding in the fifth line of this stanza the word 'ymounted,' and probably considering it to be too obsolete for the stage he has dropped the initial letter leaving only nine syllables and an unrythmical line : 2. He has at the end of his image adopted Spenser's, concluding Alexandrine, which is, I think, an insulated instance of the use of a line of that length throughout the play. Shall mount the milk-white way, and meet him there. To Babylon, my lords; to Babylon. [Exeunt. ACT THE FIFTH. SCENE I. Enter the GOVERNOR OF BABYLON, MAXIMUS, and others, upon the Walls. Gov. What saith Maximus ? MAX. My lord, the breach the enemy hath made Gives such assurance of our overthrow, That little hope is left to save our lives, Or hold our city from the conqueror's hands. Then hang out flags, my lord, of humble truce, That Tamburlaine's intolerable wrath May be suppress'd by our submission. Gov. Villain, respect'st thou more thy slavish life Than honour of thy country or thy name? Are not my life and state as dear to me, The city and my native country's weal As any thing of price in thy conceit ? Have we not hope, for all our batter'd walls, To live secure and keep his forces out, When this our famous lake of Limnasphaltis Makes walls afresh with ev'ry thing that falls Into the liquid substance of his stream More strong than are the gates of death or hell? VOL. I. 11 What faintness should dismay our courages Enter another CITIZEN, who kneels to the Governor. CIT. My lord, if ever you did deed of ruth, Though this be held his last day's dreadful siege, And this eterniz'd city, Babylon, Fill'd with a pack of faint heart fugitives Or die some death of quickest violence Gov. Villains! cowards! traitors to our state! Your slavish bosoms with continual pains; I care not, nor the town will never yield, |