Blackwood's Edinburgh Magazine, Volume 149William Blackwood, 1891 - England |
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Page 3
... light and shade are shown in their grouping ; what richness of imagination , what power , what beauty , what pathos , what humour in what they have to say ! Shakespeare shows his usual constructive skill in the very first scene , by ...
... light and shade are shown in their grouping ; what richness of imagination , what power , what beauty , what pathos , what humour in what they have to say ! Shakespeare shows his usual constructive skill in the very first scene , by ...
Page 24
... light heart : - : - " Lift up your countenance , as it were the day Of celebration of that nuptial , which We two have sworn shall come . • Your guests approach , Address yourself to entertain them sprightly , And let's be red with ...
... light heart : - : - " Lift up your countenance , as it were the day Of celebration of that nuptial , which We two have sworn shall come . • Your guests approach , Address yourself to entertain them sprightly , And let's be red with ...
Page 26
... light upon her , she shall bring him that which he not dreams of . " After this Polixenes could have been in no doubt as to his son's intentions . " Is it not too far gone ? " he says to Camillo . " " Tis time to part them . " But when ...
... light upon her , she shall bring him that which he not dreams of . " After this Polixenes could have been in no doubt as to his son's intentions . " Is it not too far gone ? " he says to Camillo . " " Tis time to part them . " But when ...
Page 41
... light over the " Tenebræ " and the " Stazione . " By this time the loiterers were all gone except the tall cloaked man , who appeared to have never moved or changed his position since I saw him first . The open windows of the mess- room ...
... light over the " Tenebræ " and the " Stazione . " By this time the loiterers were all gone except the tall cloaked man , who appeared to have never moved or changed his position since I saw him first . The open windows of the mess- room ...
Page 42
... light swift spring to the window - sill he was standing under , and disappeared through the mus- lin curtains into the room , for I was unable to see farther into it from my position . Another in- stant , and an ear - piercing scream ...
... light swift spring to the window - sill he was standing under , and disappeared through the mus- lin curtains into the room , for I was unable to see farther into it from my position . Another in- stant , and an ear - piercing scream ...
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