Beyond the Word: Reconstructing Sense in the Joyce Era of Technology, Culture, and CommunicationBeyond the Word provides as implicit critique of postmodernism, redefining it as a further, radical stage of modernism. Theall argues that Joyce anticipated many of the insights of semiotics, post-structuralism, and postmodernism. Moreover, Joyce and other modern artists differed from their predecessors in exhibiting a greater sense of their place within a dynamic, multifaceted field of communication. Thus, long before the emergence of postmodernism, these radical modernists posed an implicit challenge to the traditional notion of art as a privileged sphere. Beyond the Word situates artistic expression within a broad ecology of communication alongside genres such as comics, games, ads, videos, and slogans of spontaneous protest. Within this context, Theall reconsiders the contributions of Marshall McLuhan, Harold Innis, Gregory Bateson, and Kenneth Burke to our contemporary understanding of communication, and looks at artists as disparate as Dusan Makavejev, Stanley Kubrick, Alexander Pope, Rabelais, William Gibson, Gene Roddenberry, and Wyndham Lewis. |
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Page 32
... play ( and the accompanying message ' This is play ' ) associated with the fact that poetics and play were related together at the very inception of poetics ( for example , in Aristotle's Poetics ) ? Bateson himself extended his concept of ...
... play ( and the accompanying message ' This is play ' ) associated with the fact that poetics and play were related together at the very inception of poetics ( for example , in Aristotle's Poetics ) ? Bateson himself extended his concept of ...
Page 44
... play by which he created the night language for this dream world , a machine developed for reading and recording the effects of contemporary society on the individual and the family . His presentation of ' alys ' ( 57.28 ) , who is ...
... play by which he created the night language for this dream world , a machine developed for reading and recording the effects of contemporary society on the individual and the family . His presentation of ' alys ' ( 57.28 ) , who is ...
Page 137
... play , poetry , drama and humour . Partly sparked by Norbert Wiener's Cyber- netics : Control and Communication in the Animal and the Machine ( 1948 ) , in 1950 Bateson first tried to bring together social theory , psychiatric theory ...
... play , poetry , drama and humour . Partly sparked by Norbert Wiener's Cyber- netics : Control and Communication in the Animal and the Machine ( 1948 ) , in 1950 Bateson first tried to bring together social theory , psychiatric theory ...
Contents
Synaesthesia | 21 |
Gesture the Body | 39 |
Modernity and Poetics | 56 |
Copyright | |
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activity advertising ambivalence artistic aspect assemblage associated Bateson become body Burke central century Citizen Kane comedy comic communica communion complex concept consciousness contemporary create critical critique cultural production cyberspace dance Deleuze dialogue discussion Dr Strangelove dramatic dream Dunciad ecology of sense Eisenstein elements emerging everyday world example exploration Felix Guattari Fellini film Finnegans Wake function gesture Gilles Deleuze human communication Ibid images imaginary importance interaction interplay involved James Joyce Joyce's Kenneth Burke language laughter machine Makavéjev Marshall McLuhan means medium memory modern modernist modes of communication montage movement munication nature oral paraliterature play poem poet poetic poetry polysemic popular potential Press provides relation relationship rhetoric role satiric semiotic sensory Sergei Eisenstein signs social society speaking strategies structure Sweet Movie synaesthesia tactility theory Thousand Plateaus tion Trans transformation transgression Ulysses unconscious understanding verbal vision visual words writing Wyndham Lewis