Beyond the Word: Reconstructing Sense in the Joyce Era of Technology, Culture, and CommunicationBeyond the Word provides as implicit critique of postmodernism, redefining it as a further, radical stage of modernism. Theall argues that Joyce anticipated many of the insights of semiotics, post-structuralism, and postmodernism. Moreover, Joyce and other modern artists differed from their predecessors in exhibiting a greater sense of their place within a dynamic, multifaceted field of communication. Thus, long before the emergence of postmodernism, these radical modernists posed an implicit challenge to the traditional notion of art as a privileged sphere. Beyond the Word situates artistic expression within a broad ecology of communication alongside genres such as comics, games, ads, videos, and slogans of spontaneous protest. Within this context, Theall reconsiders the contributions of Marshall McLuhan, Harold Innis, Gregory Bateson, and Kenneth Burke to our contemporary understanding of communication, and looks at artists as disparate as Dusan Makavejev, Stanley Kubrick, Alexander Pope, Rabelais, William Gibson, Gene Roddenberry, and Wyndham Lewis. |
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Page 116
... montage ' as a term comes from the realm of engineering : montage ( F. ) = ' the assembling and erection of mechanical equipment . ' The term ' montage ' was appropriated by the Berlin Dada group for their application of collage to ...
... montage ' as a term comes from the realm of engineering : montage ( F. ) = ' the assembling and erection of mechanical equipment . ' The term ' montage ' was appropriated by the Berlin Dada group for their application of collage to ...
Page 119
... montage has persisted beyond modernism ( if , indeed , living ' in modernity's wake , ' " we really are postmodern ) , for montage pervades the twentieth - century spectrum of the arts : literature , the visual arts , film , music ...
... montage has persisted beyond modernism ( if , indeed , living ' in modernity's wake , ' " we really are postmodern ) , for montage pervades the twentieth - century spectrum of the arts : literature , the visual arts , film , music ...
Page 234
... montage , a description with which Makavéjev concurs ; for , while criticizing the Russian revolutionary films , he argues that ' they never thought about the montage and distance . Because when you pull together something from here and ...
... montage , a description with which Makavéjev concurs ; for , while criticizing the Russian revolutionary films , he argues that ' they never thought about the montage and distance . Because when you pull together something from here and ...
Contents
Synaesthesia | 21 |
Gesture the Body | 39 |
Modernity and Poetics | 56 |
Copyright | |
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activity advertising ambivalence artistic aspect assemblage associated Bateson become body Burke central century Citizen Kane comedy comic communica communion complex concept consciousness contemporary create critical critique cultural production cyberspace dance Deleuze dialogue discussion Dr Strangelove dramatic dream Dunciad ecology of sense Eisenstein elements emerging everyday world example exploration Felix Guattari Fellini film Finnegans Wake function gesture Gilles Deleuze human communication Ibid images imaginary importance interaction interplay involved James Joyce Joyce's Kenneth Burke language laughter machine Makavéjev Marshall McLuhan means medium memory modern modernist modes of communication montage movement munication nature oral paraliterature play poem poet poetic poetry polysemic popular potential Press provides relation relationship rhetoric role satiric semiotic sensory Sergei Eisenstein signs social society speaking strategies structure Sweet Movie synaesthesia tactility theory Thousand Plateaus tion Trans transformation transgression Ulysses unconscious understanding verbal vision visual words writing Wyndham Lewis