Beyond the Word: Reconstructing Sense in the Joyce Era of Technology, Culture, and CommunicationBeyond the Word provides as implicit critique of postmodernism, redefining it as a further, radical stage of modernism. Theall argues that Joyce anticipated many of the insights of semiotics, post-structuralism, and postmodernism. Moreover, Joyce and other modern artists differed from their predecessors in exhibiting a greater sense of their place within a dynamic, multifaceted field of communication. Thus, long before the emergence of postmodernism, these radical modernists posed an implicit challenge to the traditional notion of art as a privileged sphere. Beyond the Word situates artistic expression within a broad ecology of communication alongside genres such as comics, games, ads, videos, and slogans of spontaneous protest. Within this context, Theall reconsiders the contributions of Marshall McLuhan, Harold Innis, Gregory Bateson, and Kenneth Burke to our contemporary understanding of communication, and looks at artists as disparate as Dusan Makavejev, Stanley Kubrick, Alexander Pope, Rabelais, William Gibson, Gene Roddenberry, and Wyndham Lewis. |
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Page 84
... Eisenstein for he considered that to be the core of the cinematic experience . Elsewhere , in Film Form , Eisenstein recounts how Joyce , though nearly blind , wished to see ' those parts of Potemkin and October that with the expressive ...
... Eisenstein for he considered that to be the core of the cinematic experience . Elsewhere , in Film Form , Eisenstein recounts how Joyce , though nearly blind , wished to see ' those parts of Potemkin and October that with the expressive ...
Page 85
... Eisenstein clearly regarded Ulysses and Finnegans Wake as having ' broken ' the ' base ' of literature , although for him there was no way for the imaginary operating through any of the arts other than film to successfully achieve ...
... Eisenstein clearly regarded Ulysses and Finnegans Wake as having ' broken ' the ' base ' of literature , although for him there was no way for the imaginary operating through any of the arts other than film to successfully achieve ...
Page 86
... Eisenstein's percep- tions spawned later problematic analyses , the question of what it means to move beyond media arises . While Eisenstein discerned the power of film - makers to achieve greater inclusiveness and comprehensiveness in ...
... Eisenstein's percep- tions spawned later problematic analyses , the question of what it means to move beyond media arises . While Eisenstein discerned the power of film - makers to achieve greater inclusiveness and comprehensiveness in ...
Contents
Synaesthesia | 21 |
Gesture the Body | 39 |
Modernity and Poetics | 56 |
Copyright | |
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activity advertising ambivalence artistic aspect assemblage associated Bateson become body Burke central century Citizen Kane comedy comic communica communion complex concept consciousness contemporary create critical critique cultural production cyberspace dance Deleuze dialogue discussion Dr Strangelove dramatic dream Dunciad ecology of sense Eisenstein elements emerging everyday world example exploration Felix Guattari Fellini film Finnegans Wake function gesture Gilles Deleuze human communication Ibid images imaginary importance interaction interplay involved James Joyce Joyce's Kenneth Burke language laughter machine Makavéjev Marshall McLuhan means medium memory modern modernist modes of communication montage movement munication nature oral paraliterature play poem poet poetic poetry polysemic popular potential Press provides relation relationship rhetoric role satiric semiotic sensory Sergei Eisenstein signs social society speaking strategies structure Sweet Movie synaesthesia tactility theory Thousand Plateaus tion Trans transformation transgression Ulysses unconscious understanding verbal vision visual words writing Wyndham Lewis