ShakespeareFirst published in 1951. |
From inside the book
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Page 10
... really know and has no right reason to trust, . . . falls, in the self-same scene, without proof of the accuser's 0r inquiry and investigation of his own, into a jealous rage, and resolves . . . secretly to kill IO SHAKESPEARE.
... really know and has no right reason to trust, . . . falls, in the self-same scene, without proof of the accuser's 0r inquiry and investigation of his own, into a jealous rage, and resolves . . . secretly to kill IO SHAKESPEARE.
Page 12
... scene proceeds we see Iago continuing his crafty wiles, and we see Othello in a variety of moods. He speaks of how he loves Desdemona: he insists that he must have proof before he will doubt her. But on the other hand he does doubt her ...
... scene proceeds we see Iago continuing his crafty wiles, and we see Othello in a variety of moods. He speaks of how he loves Desdemona: he insists that he must have proof before he will doubt her. But on the other hand he does doubt her ...
Page 13
... scene, nor is there any suggestion that he has ever been prone to jealousy. During his wooing of Desdemona he was assisted by Cassio who “went between us very oft” (III, iii, :00), and there was apparently no question of jealousy. Do we ...
... scene, nor is there any suggestion that he has ever been prone to jealousy. During his wooing of Desdemona he was assisted by Cassio who “went between us very oft” (III, iii, :00), and there was apparently no question of jealousy. Do we ...
Page 16
... scene iii, he enters to investigate the fracas involving Cassio and Montano. And at lines 204. if. he says this: Now, by heaven, My blood begins my safer guides to rule; And passion, having my best judgment collied, Assays to lead the ...
... scene iii, he enters to investigate the fracas involving Cassio and Montano. And at lines 204. if. he says this: Now, by heaven, My blood begins my safer guides to rule; And passion, having my best judgment collied, Assays to lead the ...
Page 21
... scene in which we have witnessed him in the company of Falstaff. It has been an amusing scene, and it has contained the promise of further amusement. Yet at the end of the scene, left alone, Hal apostrophizes Falstaff and his crew thus ...
... scene in which we have witnessed him in the company of Falstaff. It has been an amusing scene, and it has contained the promise of further amusement. Yet at the end of the scene, left alone, Hal apostrophizes Falstaff and his crew thus ...
Contents
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |
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Common terms and phrases
according Achilles antithesis audience Aufidius Belarius believe Bolingbroke character Claudius comedy concerned conflict Coriolanus court Cressida criticism Cymbeline deed deposed Desdemona disorder-figures disordered personality doth Dover Wilson dramatic Duke Elizabethan evil fact Falstaff father feel fight figure final find first forest of Arden foul gives God’s Greek Guiderius Hamlet hath Hector Henry Henry IV plays Henry’s hero honour Hotspur Iago idea imaginative influence interpretation king King Lear L. C. Knights Lady Macbeth law of order Lear lover Machiavelli Malvolio man’s means mind moral murder nature Olivia Othello passion poetic Posthumus Prince Professor Dover Professor Stoll psychological reader reason regards Richard Richard II Rome satire says scene Shake Shakespeare play Shakespeare wants Shakespearian significance Sir Toby speaks subconscious suggested Tamburlaine theme things thou tragedy Troilus Troilus and Cressida true Twelfth Night universe unnatural usurpation wife Wilson Knight Witches words wrong