ShakespeareFirst published in 1951. |
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Page 13
... feel inclined to believe Iago; and there are reasons which might well make him feel qualms of doubt concerning Desdemona's fidelity after someone apparently disinterested had suggested the conception of jealousy to him. . I have already ...
... feel inclined to believe Iago; and there are reasons which might well make him feel qualms of doubt concerning Desdemona's fidelity after someone apparently disinterested had suggested the conception of jealousy to him. . I have already ...
Page 14
... feel, deep down within himself, that he has little to offer Desdemonawthat' she may not find him congenial for very long. And again, he is not a youth: he is middle-aged. At 111, iii, 265, he speaks of himself as “declined into the vale ...
... feel, deep down within himself, that he has little to offer Desdemonawthat' she may not find him congenial for very long. And again, he is not a youth: he is middle-aged. At 111, iii, 265, he speaks of himself as “declined into the vale ...
Page 15
... feel that he does not know the habits of the Venetians very well. Further, Iago refers to Desdemona as one who “did deceive her father, marrying you” (III, iii, 206); and he speaks of how unnatural it is for a woman to marry one of an ...
... feel that he does not know the habits of the Venetians very well. Further, Iago refers to Desdemona as one who “did deceive her father, marrying you” (III, iii, 206); and he speaks of how unnatural it is for a woman to marry one of an ...
Page 18
... feel that he is an abnormal case of sexual jealousy? I do not think so. He does not speak or behave like such a man. There is surely psychological inconsistency here. Again, Iago declares that he himself loves Desdemona: I do love her ...
... feel that he is an abnormal case of sexual jealousy? I do not think so. He does not speak or behave like such a man. There is surely psychological inconsistency here. Again, Iago declares that he himself loves Desdemona: I do love her ...
Page 29
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Contents
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |
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according Achilles antithesis audience Aufidius Belarius believe Bolingbroke character Claudius comedy concerned conflict Coriolanus court Cressida criticism Cymbeline deed deposed Desdemona disorder-figures disordered personality doth Dover Wilson dramatic Duke Elizabethan evil fact Falstaff father feel fight figure final find first forest of Arden foul gives God’s Greek Guiderius Hamlet hath Hector Henry Henry IV plays Henry’s hero honour Hotspur Iago idea imaginative influence interpretation king King Lear L. C. Knights Lady Macbeth law of order Lear lover Machiavelli Malvolio man’s means mind moral murder nature Olivia Othello passion poetic Posthumus Prince Professor Dover Professor Stoll psychological reader reason regards Richard Richard II Rome satire says scene Shake Shakespeare play Shakespeare wants Shakespearian significance Sir Toby speaks subconscious suggested Tamburlaine theme things thou tragedy Troilus Troilus and Cressida true Twelfth Night universe unnatural usurpation wife Wilson Knight Witches words wrong