ShakespeareFirst published in 1951. |
From inside the book
Results 1-5 of 22
Page
... Dramatic Structures Focus on Macbeth Shakespeare's Soliloquies Shakespeare's Dramatic Art A Commentary on Shakespeare's Richard III The Development of Shakespeare's Imagery Shakespeare Shakespeare and the Confines of Art Shakespeare the ...
... Dramatic Structures Focus on Macbeth Shakespeare's Soliloquies Shakespeare's Dramatic Art A Commentary on Shakespeare's Richard III The Development of Shakespeare's Imagery Shakespeare Shakespeare and the Confines of Art Shakespeare the ...
Page 10
... dramatic effect and illusion over both.” According to Professor Stoll, Othello is a play concerning a hero who, as a result of suggestions made to him by a villain, becomes thoroughly jealous; but before the villain began to make these ...
... dramatic effect and illusion over both.” According to Professor Stoll, Othello is a play concerning a hero who, as a result of suggestions made to him by a villain, becomes thoroughly jealous; but before the villain began to make these ...
Page 11
... dramatic art on the other. A play—at any rate a Shakespeare play—is not necessarily a sequence of events that would be likely to occur in real life: it does not necessarily involve consistent real-life psychology. And much unsound ...
... dramatic art on the other. A play—at any rate a Shakespeare play—is not necessarily a sequence of events that would be likely to occur in real life: it does not necessarily involve consistent real-life psychology. And much unsound ...
Page 17
... dramatic, poetic, not psychological; they arouse tragic misgivings, rather than rational, logical expectations. And this minor improbability in Othello's conduct as governor only makes more acceptable the similar and greater one as a ...
... dramatic, poetic, not psychological; they arouse tragic misgivings, rather than rational, logical expectations. And this minor improbability in Othello's conduct as governor only makes more acceptable the similar and greater one as a ...
Page 20
... . Another instance, a famous instance, is to be found in I Henry. 1 Op. cit., pp. 22-23. 2 Shakespeare and the Popular Dramatic Tradition (1944) p. 67. 1 Character Problems in Shakespeare's Plays, p. 219. 1 Shakespeare 20 SHAKESPEARE.
... . Another instance, a famous instance, is to be found in I Henry. 1 Op. cit., pp. 22-23. 2 Shakespeare and the Popular Dramatic Tradition (1944) p. 67. 1 Character Problems in Shakespeare's Plays, p. 219. 1 Shakespeare 20 SHAKESPEARE.
Contents
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |
Other editions - View all
Common terms and phrases
according Achilles antithesis audience Aufidius Belarius believe Bolingbroke character Claudius comedy concerned conflict Coriolanus court Cressida criticism Cymbeline deed deposed Desdemona disorder-figures disordered personality doth Dover Wilson dramatic Duke Elizabethan evil fact Falstaff father feel fight figure final find first forest of Arden foul gives God’s Greek Guiderius Hamlet hath Hector Henry Henry IV plays Henry’s hero honour Hotspur Iago idea imaginative influence interpretation king King Lear L. C. Knights Lady Macbeth law of order Lear lover Machiavelli Malvolio man’s means mind moral murder nature Olivia Othello passion poetic Posthumus Prince Professor Dover Professor Stoll psychological reader reason regards Richard Richard II Rome satire says scene Shake Shakespeare play Shakespeare wants Shakespearian significance Sir Toby speaks subconscious suggested Tamburlaine theme things thou tragedy Troilus Troilus and Cressida true Twelfth Night universe unnatural usurpation wife Wilson Knight Witches words wrong