ShakespeareFirst published in 1951. |
From inside the book
Results 1-5 of 8
Page 9
... Stoll, speaking not of Shakespeare alone, goes so far as to say1 that “in the greatest tragedies (and comedies and ... Professor Stoll given in this chapter are from Chaptersql and II of his Art and Artifice in Shakespeare (1934). 1 Op ...
... Stoll, speaking not of Shakespeare alone, goes so far as to say1 that “in the greatest tragedies (and comedies and ... Professor Stoll given in this chapter are from Chaptersql and II of his Art and Artifice in Shakespeare (1934). 1 Op ...
Page 10
... Professor Stoll's criticism of Shakespeare. Our space is limited, and we can deal with only one play. I choose Othello, because Professor Stoll calls it “the crucial case.” “Here,” he declares, speaking of Othello, “in its most complete ...
... Professor Stoll's criticism of Shakespeare. Our space is limited, and we can deal with only one play. I choose Othello, because Professor Stoll calls it “the crucial case.” “Here,” he declares, speaking of Othello, “in its most complete ...
Page 11
... Stoll's view, that such a man as Othello is made out by Shakespeare to he would in real life believe the wrong ... Professor Stoll, centres in a great improbability. A' hero of great nobility of character, unsuspicious, not in the least ...
... Stoll's view, that such a man as Othello is made out by Shakespeare to he would in real life believe the wrong ... Professor Stoll, centres in a great improbability. A' hero of great nobility of character, unsuspicious, not in the least ...
Page 12
... Professor Stoll's theory of Othello? There is no doubt that Iago has no sooner begun his attack on Othello's peace of mind than Othello becomes discomposed. Iago's attack begins at III, iii, 35. Iago and Othello have entered and ...
... Professor Stoll's theory of Othello? There is no doubt that Iago has no sooner begun his attack on Othello's peace of mind than Othello becomes discomposed. Iago's attack begins at III, iii, 35. Iago and Othello have entered and ...
Page 15
... Professor Stoll thinks that a noble man like Othello would naturally trust rather the wife who meant so much to him than Iago, a person he had much less reason to trust. But can we be at all sure of this? On the one hand, Iago has a ...
... Professor Stoll thinks that a noble man like Othello would naturally trust rather the wife who meant so much to him than Iago, a person he had much less reason to trust. But can we be at all sure of this? On the one hand, Iago has a ...
Contents
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |
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Common terms and phrases
according Achilles antithesis audience Aufidius Belarius believe Bolingbroke character Claudius comedy concerned conflict Coriolanus court Cressida criticism Cymbeline deed deposed Desdemona disorder-figures disordered personality doth Dover Wilson dramatic Duke Elizabethan evil fact Falstaff father feel fight figure final find first forest of Arden foul gives God’s Greek Guiderius Hamlet hath Hector Henry Henry IV plays Henry’s hero honour Hotspur Iago idea imaginative influence interpretation king King Lear L. C. Knights Lady Macbeth law of order Lear lover Machiavelli Malvolio man’s means mind moral murder nature Olivia Othello passion poetic Posthumus Prince Professor Dover Professor Stoll psychological reader reason regards Richard Richard II Rome satire says scene Shake Shakespeare play Shakespeare wants Shakespearian significance Sir Toby speaks subconscious suggested Tamburlaine theme things thou tragedy Troilus Troilus and Cressida true Twelfth Night universe unnatural usurpation wife Wilson Knight Witches words wrong