The Art of poetry of Horace, with tr. in prose and verse by D. Bagot |
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Page 20
... consti- tution of our moral being so as to adapt our inward feel- ings to every modification of external fortune : she pro- duces in us the sensation of delight , or impels us to anger , with the Inward Feelings , Just as the human face.
... consti- tution of our moral being so as to adapt our inward feel- ings to every modification of external fortune : she pro- duces in us the sensation of delight , or impels us to anger , with the Inward Feelings , Just as the human face.
Page 21
... moral frame of man On this instinctive sympathetic plan , - Whatever form external fortune takes , She by a force of inward impulse makes 190 Our hearts to have impressions that agree With what we feel , and what we hear , and see : Now ...
... moral frame of man On this instinctive sympathetic plan , - Whatever form external fortune takes , She by a force of inward impulse makes 190 Our hearts to have impressions that agree With what we feel , and what we hear , and see : Now ...
Page 31
... moral features of each age of man You must with skill and thoughtful study scan , Assigning such complexion as appears To suit their varying natures and their years . The little boy who just has learned to talk , And with sure foot ...
... moral features of each age of man You must with skill and thoughtful study scan , Assigning such complexion as appears To suit their varying natures and their years . The little boy who just has learned to talk , And with sure foot ...
Page 36
... it were a single performer , nor should it sing anything between the acts which does not harmon- ise and appropriately correspond with the moral design of the play . The Chorus should Behind the stage there's much that may.
... it were a single performer , nor should it sing anything between the acts which does not harmon- ise and appropriately correspond with the moral design of the play . The Chorus should Behind the stage there's much that may.
Page 38
... , as being few in number , and who were of fru- gal and temperate habits , and of morally pure and untarnished manners , and modest in their demeanour , used to assemble . On the Music of the Stage . It should applaud.
... , as being few in number , and who were of fru- gal and temperate habits , and of morally pure and untarnished manners , and modest in their demeanour , used to assemble . On the Music of the Stage . It should applaud.
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Common terms and phrases
abstain actor animi animos ART OF POETRY aspiring atque Atreus audience banquet bombastic bring buskin Campus Martius character chorus Colchian comedy comic correct crowd delight Democritus drama Empedocles enim Ennius erit etiam facundia fame fault feel flow genius give pleasure gods Graiis grand Grecian hæc Homer honour Hunc iambic iambus idem indulgence instruction invent Ixion judicious kind kings language laws lyre Medea mind moral Multa muse nimium numbers nunc oculis passion Peleus Plautus play poem poemata poet's poetæ poetical compositions poets pompous praise Pythias quæ Quam quid quod raging recte Reddere rich risum Roman rules satyrs scenes scriptor semel semper sibi skill sound spectator spondees stage style tamen taste Telephus theme Thespis Thyestes tibi tone tragic verse trifles trimeters Trojan war uncia Versibus versus Verum vitæ what's wine wish words write
Popular passages
Page 52 - Successit vetus his comoedia, non sine multa Laude ; sed in vitium libertas excidit et vim Dignam lege regi ; lex est accepta chorusque Turpiter obticuit sublato jure nocendi.
Page 4 - ... 10 scimus, et hanc veniam petimusque damusque vicissim; sed non ut placidis coeant immitia, non ut serpentes avibus geminentur, tigribus agni. Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter...
Page 80 - Hoc, aiebat, et hoc.' Melius te posse negares Bis terque expertum frustra, delere jubebat 440 Et male tornatos incudi reddere versus. Si defendere delictum quam vertere malles, Nullum ultra verbum aut operam insumebat inanem, Quin sine rivali teque et tua solus amares. Vir bonus et prudens versus reprehendet inertes...
Page 48 - Spondees stabiles in jura paterna recepit Commodus et patiens, non ut de sede secunda Cederet aut quarta socialiter. Hie et in Acci Nobilibus trimetris apparet rarus, et Enni In scenam missos cum magno pondere versus 260 Aut operae celeris nimium curaque carentis Aut ignoratae premit artis crimine turpi.
Page 64 - Verum ubi plura nitent in carmine, non ego paucis Offendar maculis, quas aut incuria fudit Aut humana parum cavit natura.
Page 24 - Si quid inexpertum scenae committis et audes Personam formare novam, servetur ad imum Qualis ab incepto processerit, et sibi constet.
Page 18 - Interdum tamen et vocem comoedia tollit, Iratusque Chremes tumido delitigat ore ; Et tragicus plerumque dolet sermone pedestri 95 Telephus et Peleus, cum pauper et exsul uterque Projicit ampullas et sesquipedalia verba, Si curat cor spectantis tetigisse querela.
Page 50 - Graeca nocturna versate manu, versate diurna. at vestri proavi Plautinos et numeros et 270 laudavere sales ; nimium patienter utrumque, ne dicam stulte, mirati, si modo ego et vos scimus inurbanum lepido seponere dicto, legitimumque sonum digitis callemus et aure.
Page 70 - Tu nihil invita dices faciesve Minerva ; 385 Id tibi judicium est, ea mens. Si quid tamen olim Scripseris, in Maeci descendat judicis aures Et patris et nostras, nonumque prematur in annum, Membranis intus positis : delere licebit, Quod non edideris ; nescit vox missa reverti.
Page 26 - Publica materies privati juris erit, si Non circa vilem patulumque moraberis orbem, Nee verbum verbo curabis reddere fidus Interpres, nee desilies imitator in artum, Unde pedem proferre pudor vetet aut operis lex. 135 Nec sic incipies, ut scriptor cyclicus olim : " Fortunam Priami cantabo et nobile bellum.