The Dramatic Works of William Shakspeare, Volume 1Charles Whittingham, 1826 |
From inside the book
Results 1-5 of 53
Page 38
... sense and good - temper playing round his mouth ; the intellectuality and the benevolence mantling over his whole countenance . It is well that we are better acquainted with the recti- tude of his morals , than with the symmetry of his ...
... sense and good - temper playing round his mouth ; the intellectuality and the benevolence mantling over his whole countenance . It is well that we are better acquainted with the recti- tude of his morals , than with the symmetry of his ...
Page 45
... sense of all mankind ) that the best tragedies on the English stage have received their lustre from Mr. Hart's perfor- mance : that he has left such an impression behind him , that no less than the interval of an age can make them ...
... sense of all mankind ) that the best tragedies on the English stage have received their lustre from Mr. Hart's perfor- mance : that he has left such an impression behind him , that no less than the interval of an age can make them ...
Page 57
... sense , as it is necessary to the rhythm . Malone's line is , " And with the brands fire the traitor's houses : " the editor's " And with the brands fire all the traitors ' houses . " The next charge , brought against the editor , may ...
... sense , as it is necessary to the rhythm . Malone's line is , " And with the brands fire the traitor's houses : " the editor's " And with the brands fire all the traitors ' houses . " The next charge , brought against the editor , may ...
Page 58
... sense as well as of the metre ; and supplying , as we conceive , the very word which Shak- speare had written , and the carelessness of the trans- Icriber omitted . ' Charms ' our Poet sometimes uses , according to Malone , as a word of ...
... sense as well as of the metre ; and supplying , as we conceive , the very word which Shak- speare had written , and the carelessness of the trans- Icriber omitted . ' Charms ' our Poet sometimes uses , according to Malone , as a word of ...
Page 84
... senses , and we are as unable as we are Now it is this feeling , which " Pol me occidisti- cui sic extorta voluptas Et demptus per vim mentis gratissimus error . " With the illusion of the poetic or dramatic imitation , established as ...
... senses , and we are as unable as we are Now it is this feeling , which " Pol me occidisti- cui sic extorta voluptas Et demptus per vim mentis gratissimus error . " With the illusion of the poetic or dramatic imitation , established as ...
Common terms and phrases
Anne ARIEL Ben Jonson Caius Caliban daugh daughter devil dost doth drama Duke editor Enter Exeunt Exit eyes fairies Falstaff father fool Ford gentleman Gentlemen of Verona give hand hath hear heart heaven honour Host Illyria Johnson Julia knave lady Laun letter lord madam Malone Malvolio Marry master Brook master doctor means mind Mira mistress Ford never night Olivia Pist play Poet pr'ythee pray Prospero Proteus Quick SCENE servant Shak Shakspeare Shakspeare's Shal Silvia Sir Andrew SIR ANDREW AGUE-CHEEK Sir Hugh Sir John Sir John Falstaff Sir Toby SIR TOBY BELCH Slen Slender soul speak Speed spirit Steevens Stratford Susanna Hall sweet Sycorax tell thee there's thou art thou hast Thurio Trin Twelfth Night unto Valentine Windsor woman word
Popular passages
Page 47 - Were I in England now, (as once I was,) and had but this fish painted, not a holiday fool there but would give a piece of silver: there would this monster make a man; any strange beast there makes a man: when they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian. Legg'd like a man! and his fins like arms! Warm, o
Page 291 - A belt of straw and ivy buds With coral clasps and amber studs : And if these pleasures may thee move, Come live with me and be my Love.
Page 82 - Some heavenly music, (which even now I do) To work mine end upon their senses, that This airy charm is for, I'll break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I'll drown my book.
Page 294 - A blank, my lord : She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek : she pin'd in thought ; And, with a green and yellow melancholy, She sat, like patience on a monument, Smiling at grief.
Page 325 - O, mistress mine, where are you roaming? O stay and hear ; your true love's coming, That can sing both high and low : Trip no further, pretty sweeting; Journeys end in lovers' meeting, Every wise man's son doth know.
Page 157 - Who is Silvia ? what is she, That all our swains commend her ? Holy, fair, and wise is she, The heaven such grace did lend her, That she might admired' be. Is she kind as she is fair ? For beauty lives with kindness : Love doth to her eyes repair, To help him of his blindness; And, being helped, inhabits there. Then to Silvia let us sing, That Silvia is excelling ; She excels each mortal thing, Upon the dull earth dwelling: To her let us garlands bring.
Page 102 - Shakespeare, must enjoy a part ; For though the poet's matter nature be, His art doth give the fashion : and, that he Who casts to write a living line, must sweat, (Such as thine are) and strike the second heat Upon the Muses...
Page 82 - The charm dissolves apace ; And as the morning steals upon the night, Melting the darkness, so their rising senses Begin to chase the ignorant fumes that mantle Their clearer reason.
Page 62 - Be not afeard ; the isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears ; and sometimes voices, That, if I then had wak'd after long sleep, Will make me sleep again...
Page 19 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.