Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 35
... pilasters of the façade . Imported marble , however , was used for the elegant pilasters of the smaller order , including the central arch and entablature . The façade is considerably lower than the church behind it , but , given the ...
... pilasters of the façade . Imported marble , however , was used for the elegant pilasters of the smaller order , including the central arch and entablature . The façade is considerably lower than the church behind it , but , given the ...
Page 163
... pilaster ( related to a device Michelangelo had invented at Saint Peter's ) and more strongly projected , breaking the en- tablature above ; and at the center of the lower story the pilasters support an arched pediment enclosing a ...
... pilaster ( related to a device Michelangelo had invented at Saint Peter's ) and more strongly projected , breaking the en- tablature above ; and at the center of the lower story the pilasters support an arched pediment enclosing a ...
Page 285
... pilasters and imposing barrel vault of Maderno's nave for Saint Peter's ( see fig . 235 ) , but , in apparent emulation of Borromini's undulating façade of San Carlo alle Quattro Fontane ( see fig . 244 ) , the walls between the pilasters ...
... pilasters and imposing barrel vault of Maderno's nave for Saint Peter's ( see fig . 235 ) , but , in apparent emulation of Borromini's undulating façade of San Carlo alle Quattro Fontane ( see fig . 244 ) , the walls between the pilasters ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
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Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall