Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 393
... movement after World War II ( see Chapter 10 ) . The forces unleashed by Die Brücke were , however , by no means forgotten . The movement had exalted in- dividual emotional experience to the plane of the ultimate determinate of moral as ...
... movement after World War II ( see Chapter 10 ) . The forces unleashed by Die Brücke were , however , by no means forgotten . The movement had exalted in- dividual emotional experience to the plane of the ultimate determinate of moral as ...
Page 405
... movement succeeding each other so rapidly that one could flip the pages and obtain the effect of a motion pic- ture . Duchamp's painting superimposes the images of such a series , so that the descending nude is seen in many successive ...
... movement succeeding each other so rapidly that one could flip the pages and obtain the effect of a motion pic- ture . Duchamp's painting superimposes the images of such a series , so that the descending nude is seen in many successive ...
Page 426
... movement , the Chilean painter Sebastian Antonio Matta Echaurren , generally known as MATTA ( 1912- ) , formed a historical link between European Surrealism and the American Ab- stract Expressionist movement ( see Chapter 10 ) . But ...
... movement , the Chilean painter Sebastian Antonio Matta Echaurren , generally known as MATTA ( 1912- ) , formed a historical link between European Surrealism and the American Ab- stract Expressionist movement ( see Chapter 10 ) . But ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
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Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall