Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 39
... effect of nearness or distance . He has , so to speak , dissolved the slab , using it as a substance to paint or draw with , relying for his effects on what the eye sees to be there rather than what the mind knows to be there . He has ...
... effect of nearness or distance . He has , so to speak , dissolved the slab , using it as a substance to paint or draw with , relying for his effects on what the eye sees to be there rather than what the mind knows to be there . He has ...
Page 459
... effect with his enor- mous late works ( see fig . 418 ) , but on a representational basis . In executing his vast fields of color , Still places no special emphasis on the individual brushstroke , the dis- charge of psychic energy at ...
... effect with his enor- mous late works ( see fig . 418 ) , but on a representational basis . In executing his vast fields of color , Still places no special emphasis on the individual brushstroke , the dis- charge of psychic energy at ...
Page 482
... effect . Noland started with concentric circles of bright color painted on unprimed canvas , reminiscent of Johns ' targets , and seeming to float . He then moved to immense inverted chevrons of bright color , each made up of several ...
... effect . Noland started with concentric circles of bright color painted on unprimed canvas , reminiscent of Johns ' targets , and seeming to float . He then moved to immense inverted chevrons of bright color , each made up of several ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
Common terms and phrases
Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall