Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 44
... Roman togas and impart a Roman gravity . Both the mantles and the forthright carving of the individualized faces were doubtless emulated from Roman originals in order to reinforce by the example of stoic dignity the resolve of the ...
... Roman togas and impart a Roman gravity . Both the mantles and the forthright carving of the individualized faces were doubtless emulated from Roman originals in order to reinforce by the example of stoic dignity the resolve of the ...
Page 496
... roman type . Figure numbers. ABACUS ( pl . ABACI ) . In architecture , the slab that forms the uppermost member of a CAPITAL and supports the AR- CHITRAVE . ACADEMY . The word , meaning a place of study or a learned society , is derived ...
... roman type . Figure numbers. ABACUS ( pl . ABACI ) . In architecture , the slab that forms the uppermost member of a CAPITAL and supports the AR- CHITRAVE . ACADEMY . The word , meaning a place of study or a learned society , is derived ...
Page 509
... Roman Drawings of the XVII and XVIII Centuries ... at Windsor Castle , Phai- don , London , 1960 1968 Sicilian Baroque , Macmillan , New York , and CROFT - MURRAY , E. , Venetian Drawings of the XVII and XVIII Centuries ... at Windsor ...
... Roman Drawings of the XVII and XVIII Centuries ... at Windsor Castle , Phai- don , London , 1960 1968 Sicilian Baroque , Macmillan , New York , and CROFT - MURRAY , E. , Venetian Drawings of the XVII and XVIII Centuries ... at Windsor ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
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Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall