Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 131
... Raphael's composition breathes through the figures as well . Perugino's characteristic S- curve is transformed by Raphael into an ascending spiral beginning at the tip of the toes and rising harmoniously and effortlessly to discharge in ...
... Raphael's composition breathes through the figures as well . Perugino's characteristic S- curve is transformed by Raphael into an ascending spiral beginning at the tip of the toes and rising harmoniously and effortlessly to discharge in ...
Page 133
... Raphael after he had seen Michelangelo's frescoes in the Sistine Chapel in 1511. Raphael was in one of the first groups admitted , and Michelangelo's style must have been a revelation . In the Stanze painted afterward Raphael abandoned ...
... Raphael after he had seen Michelangelo's frescoes in the Sistine Chapel in 1511. Raphael was in one of the first groups admitted , and Michelangelo's style must have been a revelation . In the Stanze painted afterward Raphael abandoned ...
Page 136
A History of Painting, Sculpture, and Architecture Frederick Hartt. 150. RAPHAEL . Galatea . Fresco . c . 1513. Villa Farnesina , Rome Raphael , who at this point in the High Renaissance had at his fingertips the full resources of ...
A History of Painting, Sculpture, and Architecture Frederick Hartt. 150. RAPHAEL . Galatea . Fresco . c . 1513. Villa Farnesina , Rome Raphael , who at this point in the High Renaissance had at his fingertips the full resources of ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
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Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall