Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 47
... MASACCIO . An astonishing genius appeared upon the scene to capture Gentile's title almost immediately ; Tom- maso di Ser Giovanni ( 1401-28 ? ) was known to his con- temporaries as Masaccio ( untranslatable , but Maso means Tom , and ...
... MASACCIO . An astonishing genius appeared upon the scene to capture Gentile's title almost immediately ; Tom- maso di Ser Giovanni ( 1401-28 ? ) was known to his con- temporaries as Masaccio ( untranslatable , but Maso means Tom , and ...
Page 48
... Masaccio painted his version of the Expulsion from Eden ( fig . 55 ) , obviously related to the composition of Jacopo della Quercia ( see fig . 52 ) , yet profoundly different . Quercial had characterized the scene as a losing battle ...
... Masaccio painted his version of the Expulsion from Eden ( fig . 55 ) , obviously related to the composition of Jacopo della Quercia ( see fig . 52 ) , yet profoundly different . Quercial had characterized the scene as a losing battle ...
Page 49
... Masaccio - the basic principles of form , space , light , and shade of the Renaissance style in painting . Masaccio's Madonna ( fig . 56 ) , the central panel of a now widely scattered polyptych painted in 1426 for the Church of Santa ...
... Masaccio - the basic principles of form , space , light , and shade of the Renaissance style in painting . Masaccio's Madonna ( fig . 56 ) , the central panel of a now widely scattered polyptych painted in 1426 for the Church of Santa ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
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Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall