Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 309
... INGRES . Although not only David's followers but also the master himself in later life turned away from the more doctrinaire aspects of Neoclassicism , Jean- Auguste - Dominique Ingres ( 1780-1867 ) , by far the greatest of David's ...
... INGRES . Although not only David's followers but also the master himself in later life turned away from the more doctrinaire aspects of Neoclassicism , Jean- Auguste - Dominique Ingres ( 1780-1867 ) , by far the greatest of David's ...
Page 310
... INGRES . Valpinçon Bather . 1808. Oil on canvas , 56 % x 384 " . The Louvre , Paris a capable performer on the violin . He entered the studio of David at seventeen ; although as long as he lived , he never let his brushwork show ...
... INGRES . Valpinçon Bather . 1808. Oil on canvas , 56 % x 384 " . The Louvre , Paris a capable performer on the violin . He entered the studio of David at seventeen ; although as long as he lived , he never let his brushwork show ...
Page 311
... Ingres said , " There is no case of a great draftsman not having found the exact color to suit the character of his drawing . " Debatable though the point may be , Ingres ' own paintings are almost invariably perfect in color , in a ...
... Ingres said , " There is no case of a great draftsman not having found the exact color to suit the character of his drawing . " Debatable though the point may be , Ingres ' own paintings are almost invariably perfect in color , in a ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
Common terms and phrases
Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall