Art: A History of Painting, Sculpture, and Architecture, Volume 2Prentice-Hall, 1976 - Art |
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Page 220
... Bernini's hands in total opposition to the statues on the same subject by Donatello ( see fig . 43 ) and Michelangelo ( see fig . 133 ) . Bernini has captured the precise moment in which the young prophet - now a full- grown youth of ...
... Bernini's hands in total opposition to the statues on the same subject by Donatello ( see fig . 43 ) and Michelangelo ( see fig . 133 ) . Bernini has captured the precise moment in which the young prophet - now a full- grown youth of ...
Page 222
... Bernini as an " environment " ( to use today's expression ) for this sculptural group . The total effect eludes photography , and is best reproduced by an anonymous eighteenth - century painting ( fig . 240 ) . The barrel - vaulted ...
... Bernini as an " environment " ( to use today's expression ) for this sculptural group . The total effect eludes photography , and is best reproduced by an anonymous eighteenth - century painting ( fig . 240 ) . The barrel - vaulted ...
Page 223
... Bernini has reinforced the concept with his usual virtuosity in the handling of textures of flesh , drapery ... Bernini's Fountain of the Four Rivers ( fig . 241 ) was the most spectacular of its time . Pope Innocent X ( reigned 1644-55 ) ...
... Bernini has reinforced the concept with his usual virtuosity in the handling of textures of flesh , drapery ... Bernini's Fountain of the Four Rivers ( fig . 241 ) was the most spectacular of its time . Pope Innocent X ( reigned 1644-55 ) ...
Contents
PROLOGUE | 9 |
The Early Renaissance in Northern | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
6 other sections not shown
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Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze building Cathedral ceiling central Cézanne Chapel Christ church Classical color colorplate columns composition contemporary Cubist death decoration dome Donatello Dürer early effect Eyck façade fifteenth century figures Florence Florentine foreground France French fresco Gallery German Giotto Giovanni Gothic Greek High Renaissance Il Gesù Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louis Louvre Madonna marble Masaccio masses master Matisse Medici Michelangelo modern Monet movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture Piero della Francesca pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen shapes shows space structure style surface tion Titian towers tradition ture vault Venetian Venice Virgin wall