Derek Jarman

Front Cover
Manchester University Press, Jan 4, 2019 - Performing Arts - 224 pages

This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure.

It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasises his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, whilst remaining fully aware of the dangers of such a journey.

Making substantial use of Jarman's unpublished papers as well as all his published works, Wymer argues that the films are orientated towards a much wider audience than is often supposed. They are addressed to anyone, of whatever gender or sexuality, who is prepared to go on a journey in search of him or her self and to become Jarman's accomplice in 'the dream world of the soul'.

From inside the book

Contents

Renaissance Man in search of a soul
1
early life and short films
18
Sebastiane 1976
36
Plates
49
Jubilee 1978
54
The Tempest 1979
70
The Angelic Conversation 1985
83
Caravaggio 1986
92
War Requiem 1989
122
The Garden 1990
132
Edward II 1991
143
Wittgenstein 1993
158
Blue 1993
170
Filmography
185
Select bibliography
195
Index
204

Where in all of this is Love? The Last of England 1987
110

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About the author (2019)

Rowland Wymer is Head of English, Communication, Film and Drama at Anglia Polytechnic University, Cambridge

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