MacbethIn its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
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Page 9
... Cawdor , whose inheritor Macbeth becomes ( I.2.70 ) : What he hath lost , noble Macbeth hath won . Macbeth begins in frightening loyalty ( like a wild animal on a lead ) . Shakespeare makes nothing of his genuine and legal claim to the ...
... Cawdor , whose inheritor Macbeth becomes ( I.2.70 ) : What he hath lost , noble Macbeth hath won . Macbeth begins in frightening loyalty ( like a wild animal on a lead ) . Shakespeare makes nothing of his genuine and legal claim to the ...
Page 15
... Cawdor's execution - that the dream seems im- possible even to speak about ( and Macbeth and his Lady speak about it , in fact , only by periphrasis or euphemism ) . His real affection for his King and for his wife intertwine in his ...
... Cawdor's execution - that the dream seems im- possible even to speak about ( and Macbeth and his Lady speak about it , in fact , only by periphrasis or euphemism ) . His real affection for his King and for his wife intertwine in his ...
Page 19
... Cawdor ) was remote ( and past ) . Now the bloodstained messenger cannot be openly acknowledged ; for the blood upon his face is that of Banquo , the ' chief guest ' , whose absence from the feast is being deplored ; treachery is no ...
... Cawdor ) was remote ( and past ) . Now the bloodstained messenger cannot be openly acknowledged ; for the blood upon his face is that of Banquo , the ' chief guest ' , whose absence from the feast is being deplored ; treachery is no ...
Page 41
... Cawdor's treachery ) , but what Shakespeare play does not give rise to such complaints ? Nothing essential to Macbeth is left in doubt ; and the art of chiaroscuro , of leaving the inessential in richly suggestive shadow , is no strange ...
... Cawdor's treachery ) , but what Shakespeare play does not give rise to such complaints ? Nothing essential to Macbeth is left in doubt ; and the art of chiaroscuro , of leaving the inessential in richly suggestive shadow , is no strange ...
Page 51
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Common terms and phrases
Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD
References to this book
Unnatural Selection: Technology, Politics, and Plant Evolution Cary Fowler No preview available - 1994 |