340 350 These yellow cowslip cheeks His eyes were green as leeks. Come, come to me, Since you have shore With shears his thread of silk. Come, trusty sword; Come, blade, my breast imbrue ; [Stabs herself. And farewell, friends, Thus Thisby ends, Adieu, adieu, adieu ! [Dies. The. Moonshine and Lion are left to bury the dead. Dem. Ay, and Wall too. Bot. No, I assure you; the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a Bergomask dance, between two of our company? The. No epilogue, I pray you; for your play needs no excuse. Never excuse; for, when the 360 players are all dead, there need none to be blamed. Marry, if he that writ it had played Pyramus and hanged himself in Thisbe's garter, it would have been a fine tragedy: and so it is, truly; and very notably discharged. But, come, your Bergomask: let your epilogue alone. [A dance. The iron tongue of midnight hath told twelve:- I fear we shall out-sleep the coming morn As much as we this night have overwatch'd. Puck. Now the hungry lion roars, [Exeunt. And the wolf behowls the moon; Now the wasted brands do glow, Whilst the screech-owl, screeching loud, That the graves, all gaping wide, Following darkness like a dream, To sweep the dust behind the door. Enter OBERON and TITANIA, with their train. Obe. Through the house give glimmering light, Every elf and fairy sprite Hop as light as bird from brier: 370 380 390 400 410 420 And this ditty, after me, [Song and dance Obe. Now, until the break of day, And the blots of Nature's hand Shall upon their children be. Every fairy take his gait; And each several chamber bless, Through this palace with sweet peace: And the owner of it blest, Ever shall in safety rest. [Exeunt OBERON, TITANIA, and train. Puck. If we shadows have offended, Think but this, and all is mended, While these visions did appear. Now to 'scape the serpent's tongue, So, good-night unto you all. Give me your hands, if we be friends, 430 440 [Exit. NOTES. ACT. I. Scene I. 1. The name of Theseus, and that of Hippolyta, queen of the Amazons, may have been borrowed by Shakespeare from Chaucer's Knight's Tale, although there is nothing else in the play for which he can have been indebted to the same source. But he was no doubt acquainted with the story of Theseus in North's translation of Plutarch's Lives. 4. She lingers my desires, delays the accomplishment of my desires. 5. A step-dame, or a dowager, who has a life interest in the property which falls to the heir at her death. 6. Withering out, causing the revenue to dwindle as she herself withers away. 13. Pert, lively; used in a good sense, and not as now as equivalent to something a little less than impudent, saucy. It is probably connected with the Fr. appert (whence malapert). 15. Companion, fellow. These two words have completely exchanged their meanings. "Companion" is not now used contemptuously as it once was, and as "fellow" frequently is. 19. With pomp, with triumph. A triumph was a public exhibition or show, such as was originally used to celebrate a victory. The title of Bacon's 37th Essay is "Of Masques and Triumphs," and the two words appear to have been synonymous, for the Essay treats of masques alone. 20. Duke, leader, from the Lat. dux. A title which Shakespeare might have found attached to Theseus in Chaucer. See the Knight's Tale, 1. 860. 21. What's the news with thee? What has happened to thee? 32. Stol'n the impression of her fantasy, secretly stamped his image on her imagination. 33. Gawds, trifling ornaments, toys. 76. Conceits, fanciful devices. 34. Knacks, knick-knacks, trinkets. 41. Solon's laws gave a father the power of life and death over his child. |