A History of ArtLawrence Gowing |
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Page 442
... Mamluk influence in Anatolia grad- ually increased this was not at the expense of the decorative influence from Iran . A striking instance is the Great Mosque at Malatya , built of brick with extensive tile - mosaic , blue , tur- quoise ...
... Mamluk influence in Anatolia grad- ually increased this was not at the expense of the decorative influence from Iran . A striking instance is the Great Mosque at Malatya , built of brick with extensive tile - mosaic , blue , tur- quoise ...
Page 449
... Mamluk Baybars succeeded to the Ayyubid Empire in the control of which he was aided by other Mamluk emirs . Their offices were not hereditary but had to be filled by new genera- tions of Mamluks . Their sons , having been born free ...
... Mamluk Baybars succeeded to the Ayyubid Empire in the control of which he was aided by other Mamluk emirs . Their offices were not hereditary but had to be filled by new genera- tions of Mamluks . Their sons , having been born free ...
Page 450
... Mamluk architectural engineering . The wealth of the Mamluks is further demonstrated in the manuscript arts of illumination , miniatures , and book - bind- ing . Inspired probably by the Uljaytu Koran , monumental copies of the Holy ...
... Mamluk architectural engineering . The wealth of the Mamluks is further demonstrated in the manuscript arts of illumination , miniatures , and book - bind- ing . Inspired probably by the Uljaytu Koran , monumental copies of the Holy ...
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12th century 4th century BC achieved ancient animals antique architecture artists Baroque became British Museum bronze Bronze Age Buddhist buildings Byzantine Byzantine art Carolingian carved Cathedral central century BC Chinese Christ Christian church Classical color composition contemporary court craftsmen culture decoration depicted dynasty early east Egbert Codex Egypt Egyptian Emperor Etruscan Europe example figures fresco frieze Gallery gold Gothic Greek head height Hermitage Museum human important Indian influence inscriptions International Gothic Italian Italy ivory king Kufic landscape late later London Mannerist manuscript masks monumental mosaic mosque motifs Mughal Mycenaean National Museum northern original ornaments Ottonian painters painting palace panels Paris patterns period Persian portrait pottery probably produced relief religious Renaissance Rococo Roman Romanesque Romanesque art Rome royal rulers scenes sculpture statues stone style surviving symbolic technique temple tion tomb tradition vases vault walls wares western