Complete Works, Volume 3D.C. Heath & Company, 1896 |
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Page 9
... feeling , as Vincke puts it , that the superstructure is too airy for the massive pedestal . There may be some force in this from a theatre- goer's point of view ; but to a reader , at any rate to an Eng- lish reader , it seems to ...
... feeling , as Vincke puts it , that the superstructure is too airy for the massive pedestal . There may be some force in this from a theatre- goer's point of view ; but to a reader , at any rate to an Eng- lish reader , it seems to ...
Page 16
... feelings , and the causeless fit of passion in which he banishes Rosalind . But once this is accom- plished , Shakespeare allows the usurpation to slip back into the past , in order that , when the action shifts to Arden , the exiles ...
... feelings , and the causeless fit of passion in which he banishes Rosalind . But once this is accom- plished , Shakespeare allows the usurpation to slip back into the past , in order that , when the action shifts to Arden , the exiles ...
Page 17
... feelings and motives at the time when they are merged in the action . Character . It is naturally in the treatment of character that Shake- speare has allowed himself most liberty . He has ( 3 ) Changes of absolutely transmuted the hero ...
... feelings and motives at the time when they are merged in the action . Character . It is naturally in the treatment of character that Shake- speare has allowed himself most liberty . He has ( 3 ) Changes of absolutely transmuted the hero ...
Page 21
... feeling , and rises in brilliant coruscation . This is the peculiar quality of her wit . It is neither boisterous nor personal . She does not ' speak poniards ' , like Beatrice , but deals in bright generalities ' that give delight and ...
... feeling , and rises in brilliant coruscation . This is the peculiar quality of her wit . It is neither boisterous nor personal . She does not ' speak poniards ' , like Beatrice , but deals in bright generalities ' that give delight and ...
Page 22
... feelings and her own , and that the wooing is a real wooing to her — and , in short , the situation has charms of its own which no witty woman could forego . §13 . To this simple theme everything else is accessory . Some of the ...
... feelings and her own , and that the wooing is a real wooing to her — and , in short , the situation has charms of its own which no witty woman could forego . §13 . To this simple theme everything else is accessory . Some of the ...
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Common terms and phrases
Adam adjective Aliena Amiens Arden Audrey banished Beau brother characters clown comes common Corin court cousin D. C. HEATH daughter doth dramatic Duke F Duke's English enjambement Enter Euphuism Exeunt eyes fair father Folio fool forest forest of Arden Fortune Ganymede gentle give Glossary hath heart Herford Hero and Leander honour humour Introduction Jaques Kellner ladies live Lodge Lodge's look Lord Love's Labour's Lost lover marry means melancholy Merchant of Venice merry metaphor mistress natural noun novel Oliver Oliver's Orlando Ovid passion Phebe play pray prithee prose Prosody rhyme Romeo and Juliet Rosader Rosalind Saladin scene sense Shakespeare shepherd Silvius song speak speech sweet syllables thee thing thou art tion Touch Touchstone Touchstone's Twelfth Night verb verse woman word wrestler wrestling youth