Silence and deep repose Reign o'er the nations; and the warning voice Of nature utters, audibly within, The general moral; tells us that repose, Deathlike as this, but of far longer pain, Is coming on us, that the weary crowds, Shall soon taste lasting quiet; wrapped around 4. Awe, [still deeper in "expression," and stronger in "aspiration."] "Yet half I hear the parting spirit sigh, With mortal terrors clouds immortal bliss, 5. Awe, [extending to Fear, with still stronger "aspiration."] "It thunders! Sons of dust, in reverence bow! Ancient of days! Thou speakest from above: Thy right hand wields the bolt of terror now; That hand which scatters peace and joy and love. Almighty! trembling like a timid child, I hear Thy awful voice, alarmed, afraid, I see the flashes of Thy lightning wild, And in the very grave would hide my head!" 6. Awe, [bordering on Horror; -the effect still deepening.] No breath of wind now whispers through the trees; 7. Horror, and Fear, [the effect transcending that of Awe; the "aspiration" nearly a whisper.] Macbeth, [meditating the murder of Duncan.] Nature seems dead; and wicked dreams abuse Whose howl's his watch, thus with his stealthy pace, Moves like a ghost. Thou sure and firm-set earth! Hear not my steps, which way they walk; for fear And take the present horror from the time, Horror and Amazement; ["aspiration" increased by "expulsion."] ("Pectoral Quality.") Hamlet, [to the ghost of his father.] That thou, dead corse, again, in complete steel, With thoughts beyond the reaches of our souls?" 2. Horror and Terror; [effect still farther increased.] Clarence, [relating his dream.] "Oh! I have passed a miserable night, So full of fearful dreams, of ugly sights, My dream was lengthened after life :- 3. Fear. (Whispering Voice: "Guttural Quality.") Caliban, [conducting Stephano and Trinculo to the cell of Prospero.] "Pray you tread softly, that the blind mole may not Hear a foot fall: we are now near his cell. Speak softly! All's hushed as midnight yet. See'st thou here? This is the mouth o' the cell: no noise! and enter." 4. Fear and Alarm. (Forcible Half-Whisper: "Pectoral Quality.") Alonzo, [who, with Gonzalo, is suddenly awakened by the intervention of Ariel, and finds the conspirators, Sebastian and Antonio, with their swords drawn.] Wherefore this ghastly looking? Gonzalo. What's the matter? Sebastian. Whiles we stood here, securing your repose, Even now, we heard a hollow burst of bellowing Like bulls or rather lions: did it not wake you? It struck mine ear most terribly. Antonio. Oh! 't was a din to fright a monster's ear: ("Pure Tone" breaking into "Aspiration.") Douglas, [soliloquizing in the wood.] "Ye glorious stars! high heaven's resplendent host! Hear and record my soul's unaltered wish : Dead or alive, let me but be renowned! May Heaven inspire some fierce gigantic Dane To give a bold defiance to our host! 66 III. EXPLOSIVE UTTERANCE." ("Guttural and Pectoral Quality.") Shylock, [regarding Antonio.] I hate him for he is a Christian; But more, for that, in low simplicity, He lends out money gratis, and brings down I will feed fat the ancient grudge I bear him! 2. Anger and Scorn. ("Pectoral Quality.") [Moore's lines to the Neapolitans, on their failure in the attempt at a revolution.] "Ay, down to the dust with them, slaves as they are! From this hour let the blood in their dastardly veins, That shrunk from the first touch of Liberty's war, Be sucked out by tyrants, or stagnate in chains! “On — on, like a cloud, through their beautiful vales, Ye locusts of tyranny!- blasting them o'er : Fill-fill up their wide, sunny waters, ye soils From each slave-mart in Europe, and poison their shore! May their fate be a mock-word ! - May men of all lands Laugh out with a scorn that shall ring to the poles, When each sword that the cowards let fall from their hands, Shall be forged into fetters to enter their souls!" 3. Scorn and Abhorrence. ("Guttural and Pectoral Quality.") Masaniello, [in reply to the base suggestions of Genuino.] "I would that now I could forget the monk who stands before me; |