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PROTOTYPES AND EARLY ADAPTATIONS
The Beginnings of the AntiBourgeois Sentimental
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actual already American appeared archetype attempt become begins believe bourgeois Brown called character child Clarissa comes Cooper course critics dark death desire dream essential Europe European evil eyes face fact father feeling female fiction figure finally Finn girl gothic guilt hand Hawthorne heart hero horror Huck imagination Indian innocence kind lady later least Letter literature live lover Maiden male marriage married means Melville merely mind moral mother moved myth nature never novel novelists once passion past perhaps play popular present projected readers rejection remains represents Richardson role romance Scott seduction seems sense sentimental sexual social society stands story sure symbolic tell terror theme tion tradition true turned Twain wife woman women writers young