Art as Abstract Machine: Ontology and Aesthetics in Deleuze and GuattariThe aim of the book is to understand what Deleuze and Guattari mean by 'art'. Stephen Zepke argues that art, in their account, is an ontological term and an ontological practise that results in a new understanding of aesthetics. |
Contents
Chapter | 9 |
Chapter | 41 |
Chapter Three | 77 |
Chapter Four | 117 |
Chapter Five | 151 |
Chapter | 185 |
Conclusion | 219 |
Notes | 231 |
| 283 | |
Other editions - View all
Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari Stephen Zepke Limited preview - 2014 |
Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari Stephen Zepke Limited preview - 2014 |
Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari Stephen Zepke No preview available - 2015 |
Common terms and phrases
absolute deterritorialisation abstract line abstract machine affect affirmation appears art-work art's artist artist-philosopher assemblage atheist Bacon's diagram becoming Bergson body body without organs chaos chaosmic chaosmosis cinema Clement Greenberg color common notions concept constitute construction cosmic creates creation creative critique crystal-image Deleuze and Guattari Deleuze argues Deleuze puts Deleuze writes Deleuze's difference differential dimension Duchamp duration emerges eternal return Ethics evaluation existence expression Félix Guattari flesh forces Francis Bacon Friedrich Nietzsche genetic Gilles Deleuze God's God/Nature Greenberg Guattari write haptic human idea immanent infinite infinity inseparable Kant material means modal essence modern modes movement movement-image mystical negation Nietzsche Nietzsche's object ontological organic Peirce perception philosophy plane of immanence Pollock's produces pure relation repetition representation schizoanalysis sensation sense sensory-motor simply simulacrum space Spinoza subjectivation things thought Thousand Plateaus time-image tion transcendent understanding univocal Venetian virtual vision Warhol's