Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
From inside the book
Results 1-3 of 88
Page 483
... effect that is the birthright of sculpture . The elements used by painting to indicate form are line , light and shade , and color , each of which as we will see can also play other important parts in the effect of the work of art . The ...
... effect that is the birthright of sculpture . The elements used by painting to indicate form are line , light and shade , and color , each of which as we will see can also play other important parts in the effect of the work of art . The ...
Page 702
... effect , the Cathedra Petri would seem to have spelled the ultimate in Bernini's long career . The final sur- prise , therefore , is the austere simplicity of his designs of 1656 , carried out over many years , for the enclosure of the ...
... effect , the Cathedra Petri would seem to have spelled the ultimate in Bernini's long career . The final sur- prise , therefore , is the austere simplicity of his designs of 1656 , carried out over many years , for the enclosure of the ...
Page 943
... effect . Noland started with concentric circles of bright color painted on un- primed canvas , reminiscent of Johns's targets , and seeming to float . He then moved to immense inverted chevrons of bright color , each made up of several ...
... effect . Noland started with concentric circles of bright color painted on un- primed canvas , reminiscent of Johns's targets , and seeming to float . He then moved to immense inverted chevrons of bright color , each made up of several ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
Other editions - View all
Common terms and phrases
achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York