Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 604
... composition , Leonardo starts with the moment of feeling and perception , defining expression first ; form will follow . In the background at the right appears for the first time the composition of rearing horses 785. LEONARDO DA VINCI ...
... composition , Leonardo starts with the moment of feeling and perception , defining expression first ; form will follow . In the background at the right appears for the first time the composition of rearing horses 785. LEONARDO DA VINCI ...
Page 607
... composition , produced by figures that are , so to speak , no longer added to each other but multiplied by each other . The nucleus , the battle around the standard , is formed of a pinwheel of violently struggling horses and riders ...
... composition , produced by figures that are , so to speak , no longer added to each other but multiplied by each other . The nucleus , the battle around the standard , is formed of a pinwheel of violently struggling horses and riders ...
Page 619
... composition . But the Raphael picture is simpler ; the gentle master from Urbino dissected no corpses and was only slightly interested in anatomy . Harmony was to him the basic purpose of any composition , and the harmony is beautifully ...
... composition . But the Raphael picture is simpler ; the gentle master from Urbino dissected no corpses and was only slightly interested in anatomy . Harmony was to him the basic purpose of any composition , and the harmony is beautifully ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York