Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 619
... Raphael's composition breathes through the figures as well . Perugino's characteristic S - curve is transformed by Raphael into an as- cending spiral beginning at the tip of the toes and rising harmoniously and effortlessly to discharge ...
... Raphael's composition breathes through the figures as well . Perugino's characteristic S - curve is transformed by Raphael into an as- cending spiral beginning at the tip of the toes and rising harmoniously and effortlessly to discharge ...
Page 624
... Raphael has shown Leo X as he was in an unsparing portrait ( fig . 811 ) -corpulent , shrewd , pleasure - loving , engaged in the examination of an illuminated manuscript ( the original still exists ) with a gold and crystal magnifying ...
... Raphael has shown Leo X as he was in an unsparing portrait ( fig . 811 ) -corpulent , shrewd , pleasure - loving , engaged in the examination of an illuminated manuscript ( the original still exists ) with a gold and crystal magnifying ...
Page 626
... Raphael's spiral poses . Raphael , who at this point in the High Renaissance had at his finger- tips the full resources of natural light , apparently no longer felt any need to distinguish it from spiritual light ( gold rays are gone ...
... Raphael's spiral poses . Raphael , who at this point in the High Renaissance had at his finger- tips the full resources of natural light , apparently no longer felt any need to distinguish it from spiritual light ( gold rays are gone ...
Contents
CHAPTER NINE | 924 |
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York