Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
From inside the book
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Page 500
... Giovanni , who claims in inscriptions to have outdone his father , was responsible for a sharply different octagonal pulpit at Pistoia ( fig . 642 ) . Dated 1298-1301 , it is distinguished by its greater Gothicism in the sharp pointing ...
... Giovanni , who claims in inscriptions to have outdone his father , was responsible for a sharply different octagonal pulpit at Pistoia ( fig . 642 ) . Dated 1298-1301 , it is distinguished by its greater Gothicism in the sharp pointing ...
Page 501
... Giovanni's style is brought under firm control , possibly in emulation of the great painter Giotto , in the marble statue of the Virgin and Child ( fig . 644 ) , which Giovanni carved about 1305 for the altar of the Arena Chapel in ...
... Giovanni's style is brought under firm control , possibly in emulation of the great painter Giotto , in the marble statue of the Virgin and Child ( fig . 644 ) , which Giovanni carved about 1305 for the altar of the Arena Chapel in ...
Page 513
... GIOVANNI DA MILANO In the wake of the Black Death , no new figures emerged of anything near the stature of the great masters of the early fourteenth century , but some painters showed new observations and insights . One of the most ...
... GIOVANNI DA MILANO In the wake of the Black Death , no new figures emerged of anything near the stature of the great masters of the early fourteenth century , but some painters showed new observations and insights . One of the most ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York