History of Art, Volume 1This classic book uses an exceptional art program, featuring impeccable accurate five-color illustrations, to introduce readers to the vast world of painting, sculpture, architecture, photography, and the minor arts. With its effectively written, balanced, and interesting narrative, this book presents art as a succession of styles--from Prehistory through the 20th century--and enlarges the readers' capacity to appreciate works of art individually. Written more than 40 years ago, this text has been constantly reworked to respond to the needs of this ever-changing field. A reference work suitable for those employed in all art media, including painters, sculptors, photographers, and architects. |
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Page 314
... FLORENCE . Santa Croce in Florence , be- gun about a century after Fossanova , may well claim to be the greatest of all Franciscan structures ( figs . 447 , 448 ) ; it is also a masterpiece of Gothic architecture , even though it has ...
... FLORENCE . Santa Croce in Florence , be- gun about a century after Fossanova , may well claim to be the greatest of all Franciscan structures ( figs . 447 , 448 ) ; it is also a masterpiece of Gothic architecture , even though it has ...
Page 391
... Florence Pisa urbino ARNO R. Arezzo + Siena Perugia TUSCANY Orvieto . О UMBRIA 0 TYRRHENIAN SEA Rome When we ... Florence at the beginning of the fifteenth century , rather than elsewhere or at some other time . In the years around 1400 ...
... Florence Pisa urbino ARNO R. Arezzo + Siena Perugia TUSCANY Orvieto . О UMBRIA 0 TYRRHENIAN SEA Rome When we ... Florence at the beginning of the fifteenth century , rather than elsewhere or at some other time . In the years around 1400 ...
Page 399
... Florence 548. DONATELLO . David ( see colorplate 65 ) . National Museum , Florence would be visible from every side , probably standing on top of a column . The key to its significance is the elaborate helmet of Goli- ath with visor and ...
... Florence 548. DONATELLO . David ( see colorplate 65 ) . National Museum , Florence would be visible from every side , probably standing on top of a column . The key to its significance is the elaborate helmet of Goli- ath with visor and ...
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abstract achieved altar ancient animal arch architect architecture artist Baroque Basilica body bronze building Byzantine Carolingian carved Çatal Hüyük Cathedral century B.C. Chapel choir Christ church classical color colorplate columns compare fig contrast Cubism decoration detail developed dome Donatello Doric East Egypt Egyptian Etruscan expressive façade figures Flémalle Florence Florence Cathedral France French fresco frieze Gallery German Gothic Greek groined vault Hagia Sophia height High Renaissance human Il Gesù important interior Italian Italy landscape later Louvre Madonna Marble Masaccio masters medieval ment Michelangelo Minoan modern monumental mosaics movement mural Museum Mycenae nave nude original ornament painter painting Palace panel Paris pediment photographs pictorial picture Pop Art portals portrait realism recall relief Roman Romanesque Rome scene sculpture seems sense shape shows space spirit statue stone structure style surface symbolic temple tion tombs tradition ture vase vault visual wall