Exploring LanguageGary Goshgarian Now in its tenth edition, this marketleading language reader continues to feature thoughtprovoking readings that explore the various interconnections between language and American society. For over 25 years, this engaging reader has challenged individuals to critically examine how language affects and constructs culture and how culture constructs and affects language. This tenth edition maintains the integrity of past editions, while reflecting the new and fascinating language issues that exist in today's culture. Provocative selections are organized around nine major language areas, and then broken into stimulating sub-themes like political correctness, hate speech, language and the presidency, and censorship on campus, inviting readers to debate current social and cultural issues that are inseparable from language. Individuals interested in studying how language affects and constructs culture and how culture constructs and affects language. |
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Page 340
... cartooning around today , to my eye , can be found on the pages of The New Yorker . Whatever the reason — perhaps due to Tina Brown ordering her cartoonists to think topical , or the ascent of Art ( Maus ) Spiegelman as art editor - the ...
... cartooning around today , to my eye , can be found on the pages of The New Yorker . Whatever the reason — perhaps due to Tina Brown ordering her cartoonists to think topical , or the ascent of Art ( Maus ) Spiegelman as art editor - the ...
Page 341
... cartoonists may be a dying breed , either by forces beyond their control or by their own hands . Yet the way we treat our artists , our exposed nerve endings , reveals something essential about ourselves and our nation . A great ...
... cartoonists may be a dying breed , either by forces beyond their control or by their own hands . Yet the way we treat our artists , our exposed nerve endings , reveals something essential about ourselves and our nation . A great ...
Page 350
... cartoonists faced an even more daunting challenge - how to sensitively , adequately , and succinctly draw what a nation was feeling . In the next piece , James Ricci describes how some editorial cartoonists responded with pen and ink ...
... cartoonists faced an even more daunting challenge - how to sensitively , adequately , and succinctly draw what a nation was feeling . In the next piece , James Ricci describes how some editorial cartoonists responded with pen and ink ...
Contents
Thinking and Reading Critically | 1 |
Breaking Silences | 25 |
A Brief History of English | 32 |
Copyright | |
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accept Ad Council advertising American argument asked audience better bilingual education called campaign cartoon cartoonists claim communication conversation Copyright culture David Brudnoy Deborah Tannen describe discussion doublespeak e-mail editorial editorial cartoons effective English English language example experience Explain expression feel fighting words free speech freedom gender guage hate speech hear Hispanic human humor ideas images issue Judy Blume language linguistic listen live logogram look mean paragraph pep talk person phrases politically correct president propaganda question racial readers Reprinted by permission response sentence SignWriting social sound speak speech codes stereotypes style symbols teacher television tell term terrorism things THINKING CRITICALLY tion Tony Kornheiser uptalk viewers visual voice weasel words William Lutz woman women Write an essay WRITING ASSIGNMENTS