This is Your Brain on Music: The Science of a Human Obsession

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Plume, 2007 - Music - 322 pages

Music, Science, and the Brain are more closely related than you think. Daniel J. Levitin, James McGill Professor of Psychology and Music at McGill University, shows you why this is.

In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin (The World in Six Songs and The Organized Mind) explores the connection between music, its performance, its composition, how we listen to it, why we enjoy it, and the human brain. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, Levitin reveals:

  • How composers produce some of the most pleasurable effects of listening to music by exploiting the way our brains make sense of the world
  • Why we are so emotionally attached to the music we listened to as teenagers, whether it was Fleetwood Mac, U2, or Dr. Dre
  • That practice, rather than talent, is the driving force behind musical expertise
  • How those insidious little jingles (called earworms) get stuck in our head
Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. A Los Angeles Times Book Award finalist, This Is Your Brain on Music will attract readers of Oliver Sacks, as it is an unprecedented, eye-opening investigation into an obsession at the heart of human nature.

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About the author (2007)

Daniel J. Levitin, Ph.D., is the New York Times bestselling author of This Is Your Brain on MusicThe World in Six SongsThe Organized Mind, and Weaponized Lies. His work has been translated into 21 languages. An award-winning scientist and teacher, he is Founding Dean of Arts & Humanities at the Minerva Schools at KGI, a Distinguished Faculty Fellow at the Haas School of Business, UC Berkeley, and the James McGill Professor Emeritus of Psychology and Music at McGill University, Montreal, where he also holds appointments in the Program in Behavioural Neuroscience, The School of Computer Science, and the Faculty of Education. Before becoming a neuroscientist, he worked as a session musician, sound engineer, and record producer working with artists such as Stevie Wonder and Blue Oyster Cult. He has published extensively in scientific journals as well as music magazines such as Grammy and Billboard. Recent musical performances include playing guitar and saxophone with Sting, Bobby McFerrin, Rosanne Cash, David Byrne, Cris Williamson, Victor Wooten, and Rodney Crowell.

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